“If you had told me when I started in this business, that one day I would be working for a non-profit that published books based on their merit and not profit, I would not have believed it,” says Michelle Dotter, who serves as publisher and editor in chief of Dzanc Books (pronounced Duh-ZANK).

The nonprofit was co-founded in 2006 by Ann Arbor lawyer turned novelist and 826Michigan creator Steven Gillis and Emerging Writers Network creator Dan Wickett. They had an uncompromising vision for Dzanc.

“The biggest thing for Steve," Dotter says, "was that nothing be constrained by shareholder interest, so we would never sacrifice artistic quality or only support books that could make money … or end up like some presses, where commercial potential is such a factor they send book covers to retailers like Walmart or Costco, giving them the power to reject a cover if they think it won’t sell.”

Dotter took over as publisher and editor in chief of Dzanc in 2017 after working there since 2014.

“I loved what they were doing as far as experimental literature," she says, "taking chances on amazing authors and books that might have been rejected for commercial reasons at other publishers.”

One such book is In Our Midst by Nancy Jensen. Dotter will be in conversation with Jensen at a virtual event hosted by Literati on Monday, September 28 at 7 pm. 

Astronomy at the Beach (AATB) is the Great Lakes Association of Astronomy Clubs (GLAAC)'s signature annual event. Held each year at Island Lake State Park near Brighton, Michigan, and attended by thousands, this year’s two-day event on Friday and Saturday, September 25-26 has been moved online because of the COVID-19 pandemic.

Adrian Bradley is president of GLAAC and an avid amateur astronomer and photographer who especially loves nightscape photography. He is also a member of the University Lowbrow Astronomers, the local astronomy club partnering with AADL to provide and maintain the library's circulating telescope collection.

We chatted with Bradley about this year's Astronomy at the Beach lineup.

It looked bleak in March and April for the fourth edition of Ann Arbor's Rasa Festival. Everything was being canceled, and the annual September celebration of arts and culture from India looked like it was not going to happen either.

"We canceled all our venue bookings at that time, although with a heavy heart," wrote Sreyashi Dey, the president and artistic director of Rasa, in an email to Pulp. "We had some fabulous concerts planned this year, with world-renowned touring artists from India, but had to cancel that as well. It was very depressing."

But as the months dragged on, Dey, who is also a dancer, couldn't contain her desire to create new works, and that spurred her on to reconsidering Rasa.

"As an artist/dancer myself, I was beginning to feel disheartened about my own creative impulses and motivation to create new work," Dey wrote. "So I started thinking about making some new dance works while still in lockdown, but with no real plan for what to do with it. Then I started thinking of doing a video recording to share. And that's how the idea of the festival going virtual was born, and once I started talking to the other artists, everyone was very eager and enthusiastic."

The performance part of the month-long virtual Rasa Festival runs October 3-25, with streams starting at 11 am each Saturday and Sunday throughout the month. The Mandali: India and the World art exhibition, presented in partnership with the Ann Arbor District Library, runs October1-November 12.

Rasa will present its usual assortment of dance, music, written word, film, fashion, travel, social change, and visual art, but there will be no culinary component this year, for obvious reasons—but we got you covered. I talked with Dey over email about the challenges—and opportunities—of presenting the Rasa Festival online and what she food she'd recommend for us to make or buy at home to accompany the 2020 virtual edition of the Rasa Festival.

The Ann Arbor Symphony Orchestra was supposed to launch its fall 2020 season with "Goodyear Plays Beethoven" at the Michigan Theater, in front of an audience, on September 10. [Insert section about Covid-19 ruining everything] [That's not an editing mistake; I'm just saving myself time since we all know what's going down in the world.]

Stewart Goodyear will still play Beethoven, and there will still be an audience; the crowd will just be at home and the concert will be broadcast from the Kerrytown Concert Hall on September 26.

The other fall 2020 A2SO programs that were affected are:

Area stages have gone dim to protect audiences, actors, and theater workers during these uncertain times.

But that doesn’t mean the show can’t go on.

Ann Arbor's Theatre NOVA and Ypsilanti’s Neighborhood Theatre Group are Zooming theater festivals to audiences online in October, but each is taking a different approach.

This story originally ran September 3, 2019. Kass is also author of the Fifth Avenue Press book "Takedown," a murder mystery. AADL cardholders can download the novel in PDF format here.

What do you do?

It’s what people ask when they first meet as a way to identify each other, yet our jobs do not have to define us.

When I asked Jeff Kass this question, he answered with three jobs: a full-time English teacher at Pioneer High School in Ann Arbor, part-time pizza delivery person, and part-time director of literary programs at the Neutral Zone for a year in 2016-2017. During that time, he also worked on drafting the autobiographical poems about this experience that form his new collection, Teacher/Pizza Guy (Wayne State University Press).

Teacher/Pizza Guy reveals Kass’ experiences in the classroom and pizza place, including issues with service industry jobs, challenges of aging, and relationships with colleagues, youth, and family. Despite the possible mundanity of work, Kass offers poetic insights on the situations. The first poem in the collection, “Oh, Splotch of Blue Paint,” not only addresses the paint on the sidewalk outside of the school where Kass teaches but also ruminates about its origins:

…were you trying to paint the sea? A place 

for you to float in? The breeze a lovely, reassuring

friend who brings you cookies and iced tea

and listens to you without judging…? 

This speculative question, in turn, raises a question for me: Isn’t that what we’d all like, a pleasant place, a friend who shares treats, and good conversation? Another poem depicts colleagues crossing paths in the night as Kass returns to home from his pizza-slinging job to see a fellow pizza slinger working his other job of delivering newspapers.

Amidst dishwashing, disastrous delivery runs, and the grind of teaching students in class after class how to write essays, Kass pulls out moments of clarity that describe the working life. One poem describes a break during which he makes a pizza for himself, one that’s not on the menu, and writes, “Believe / for a moment / your time / belongs / to you. / Savor. / Chew.”

Within the drudgery of going from job to job, Kass is not all work; he observes and shows parallels between his jobs and life, recognizing and taking ownership of those moments rather than letting work consume him, almost as if he is both living his life and watching it from the outside. Kass finds meaning in those fleeting moments of entering and exiting customers’ lives to bring them pizza and also seeks respect as he makes ends meet.

Kass, who lives in Ann Arbor with his wife, Karen Smyte, and their children, Sam and Julius, will read from his collection at Literati Bookstore on Tuesday, September 10, at 7 pm. I interviewed him about his poetry and work.

Imagine being dropped off in the wilderness, uninhabited except for 19 people with you and rangers who patrol the land. Modern amenities are nonexistent, but the upside is that the air quality is much better than the polluted city. You live nomadically and hunt, fish, and gather to survive. This is not an extended camping trip. It is your new way of life. 

This intense scenario forms the premise of Diane Cook’s new book, The New Wilderness, a speculative novel involving relationships and the environment—and how the latter influences the former. The novel has landed on the long list for the Booker Prize. Cook has taught for the University of Michigan, is a U-M alum, and lives in Brooklyn, New York.

In a joint virtual event, both Cook and Karolina Waclawiak, whose new novel Life Events was just published, will read and discuss their new books through the At Home with Literati series Monday, August 31, at 7 pm.

The characters of The New Wilderness, including Agnes, her mother Bea, and her mother’s husband Glen, go to the wilderness as part of a research experiment to determine whether this lifestyle is sustainable. Bea joined to save Agnes’ life. Agnes was five years old when they arrived and gravely ill from the effects of pollution. Despite learning how to stay alive in the wild and improving Agnes’ health, the characters’ memories of their former life, their love for one another in all its forms, and the burden of subsisting clash and inform their individual choices. 

Early on, Bea’s concerns emerge when considering their next journey to a ranger post farther than they’ve had to go before: 

Glen hooked his arm around her neck and pulled her close. “Now, now,” he murmured. “This will be fun.”

She knew that a big part of Glen believed this. But no part of Bea did. She pictured the map in her head again and saw all that unknown land, that beige parchment, all that nothing. They would be changed on the other side of it, that much she knew. Not knowing how was only one of the things that scared her.

The New Wilderness calls into question what the natural world is and should be, while also showing how vast the wilderness within and between people can be. 

I interviewed Cook about this book and her writing.

This story originally ran September 16, 2019.

Mark Stryker will talk about his new book "Jazz From Detroit" at AADL's downtown location on Thursday, September 19, at 6:30 pm. We asked him to recommend some jazz from Tree Town.

Ann Arbor makes a number of cameo appearances in my book Jazz From Detroit. Several recordings highlighted in the text were taped live in Ann Arbor, and a number of the musicians featured in the book have ties to the University of Michigan. (The book itself was published by U-M Press.) Here’s a playlist that takes its inspiration from the Detroit-Ann Arbor jazz connection.

Back in January when the inaugural Independent Film Festival Ypsilanti (IFFY) was announced, the plan was to hold it at the Riverside Art Center, April 16-18.

We all know what happened next.

But rather than cancel the event, filmmaker Donald Harrison, who runs 7 Cylinders Studio, and multimedia artist Martin Thoburn did what so many others have had to do: moved the festival online.

Between August 20-22, numerous short films curated by Juliet Hinely and Hafsah Mijinyawa will stream each evening at iffypsi.com, though the kick-off evening will be free on Facebook or your can go to the the Normal St. parking lot at Cross by the Ypsi water tower for a drive-in screening.

Here's the schedule and links to trailers for the films in IFFY 2020:

This article originally ran March 25, 2020.

We're rerunning the story to highlight the launch of the "Commie High" archive at aadl.org/commiehigh: 

This site serves as a supplement to the independent, feature-length documentary about Community High School in Ann Arbor, MI—produced by 7 Cylinders Studio—providing extensive extra content available for public viewing and research. Additional materials and development are anticipated in future editions.

There are video extras, historical and making-of-the-film photos, a music database documenting the school's numerous bands and musicians, digitized yearbooks, and news articles.

The coronavirus pandemic is forcing teachers and administrators to improvise ways to serve their pupils academically, mostly through virtual learning and online academies. Other imaginative approaches will be introduced as the pandemic drags on, spotlighting the skills of educators and showing how resourceful they can be when not stuck on a treadmill of prepping kids for standardized tests.

But one school in Ann Arbor has been using innovative educational approaches for nearly 50 years.

Ann Arbor's Community High School started in 1972 with a "school without walls" concept. A handful of other schools across the country adopted similar approaches, where structured curricula were abandoned in favor of flexible programs that best fit individual students' needs, with a focus on real-world education.

But the Community model never expanded deeply into the mainstream. 

Until now. (Kinda.)

A heavily modified variation of Community's wall-free education approach is being tested during the coronavirus pandemic, and it seems inevitable that some of these outside-the-box ideas will be incorporated into schools once this over and society deals with our new normal.

Welcome to Commie High, a new documentary by Ypsilanti-based filmmaker Donald Harrison, shows the school's unique approach to education, from its hippie-era beginnings to its place in the modern landscape, talking to students and teachers from the past and present about what makes Community special -- and effective.

The movie was to premiere as part of the 58th Ann Arbor Film Festival (AAFF). But with the entire event being moved to a livestream on Vimeo due to the lockdown, Harrison and the AAFF are are offering Welcome to Commie High as fundraising rental. The movie will be available to rent for $9.99 from 10 am, March 30 to 10 am, April 1; each rental will be active for 48 hours. The rental fee will be split two ways: 50 percent of the proceeds will go to the AAFF to help offset costs and the rest will be put toward the distribution of the documentary. Click here to pre-order the rental.

Harrison answered some questions via email about Welcome to Commie High.