Riverside Arts Center's YpsiNow: Intersections asks this question in its announcement: “What is Ypsi, right now? Its paths, connections, struggles, and joy all interweaving to create the tapestry of Ypsilanti.”
For this second annual iteration of the exhibit -- juried by RckBny, Gary Horton, and Rey Jeong -- the question is answered by Ypsilanti High School students and adult residents working in a variety of media.
The high school students’ photography, collage, paint, ink, and written-word works are clustered on one wall, illustrating the diversity of approach among the teenagers, which is reflective of the overall approach to the exhibition. The adult Ypsilanti artists fill the rest of the gallery with sculptures, installations, and 2D works.
“Detroit is a very diverse city -- most people outside of Detroit don’t realize how diverse it is. They see only in terms of black and white. But … a variety of people from all over who wound up here," Jones says. "I wanted to create a character that was representative of the two largest minorities in Detroit: African-American and Mexican-American. These are two minority groups that have never really seen eye to eye. And for August, I wanted him to be the product of two cultures that have often clashed but feel no personal dichotomy. He feels he has the best of both worlds ... he has pride in both cultures. And he’s comfortable with himself. I wanted people to know that is achievable -- that you can be a product of two cultures, two peoples and be at peace with who you are.”
“I think that it’s very important to play this music, to tell the story of Brazilian music,” he explained. Mehmari -- who appeared at Kerrytown Concert House nearly a year prior -- brought with him an exciting collection of repertoire, music infused with influences of jazz, ragtime, classical, and all manner of Brazilian and Latin American music.
But Mehmari has added another type of music to his repertoire: NPR jingle. The virtuosic pianist put out a 25-minute video of him performing three stunning variations on the well-known NPR theme.
Perhaps Mehmari will perform these creative variations when he returns to Kerrytown with his trio on Saturday, January 19, but you can check out the pianist's NPR jam now as you read the Pulp interview we did before that 2017 show:
Before the Civil Rights era, women couldn’t go to most Ivy League schools, get credit cards in their own names, or serve on juries in all 50 states.
So what was it like for a smart, headstrong young woman in 1960s era Deep South growing up in a family that wants her to either be a “Southern belle” or a tomboy?
C.A. Collins’ book Sunshine Through the Rain examines at that very question in the character of Christie Ann Cook, a wise-beyond-her-years teenager who speaks her truth as she comes of age during a period of extreme social change.
While the Concordia University grad and Michigan-based writer didn’t grow up in that era, Collins says, “I have always had an interest in those tumultuous years in the South. I raised in Louisiana where the 'n' word was the norm, but my parents taught me to judge someone by their character, not the color of their skin. In this book, I really wanted to show a young girl who had diverse people in her life that she loved and cared for and how she was torn between her small insular world and the uncertain bigger world around her.”
UMMA's exhibit Art in the Age of the Internet, 1989 to Today tracks the impact of the web on visual art over the past 30 years. While comic books aren't represented in the exhibit, it is a visual art form that has been radically modified over the past three decades by digital culture.
Inspired by the exhibit, UMMA and Vault of Midnight - Ann Arbor are combining forces for a new comic book club: "The Age of the Internet in Comic Books and Graphic Novels." Vault of Midnight will host the meetups once a month in its Ultralounge, all of which are on a Sunday at 2 pm.
The series will include the following titles:
U-M alumna Penny W. Stamps died from leukemia on Dec. 18, 2018, but her dedication to bringing arts and ideas to Ann Arbor community continues with the school and speaker series named in her honor.
The winter lineup of U-M Stamps School of Art & Design's Penny Stamps Distinguished Speaker Series was announced Jan. 11 with 12 events, primarily at the Michigan Theater and many in conjunction with other performances and events at the university and in the community.
Raylan Givens has been to a lot of places: Miami, Florida; Harlan County, Kentucky; Glynco, Georgia. And now he’s come to the Motor City in the riveting Raylan Goes to Detroit by Michigan-based author Peter Leonard.
After an altercation with his boss, Raylan is given two choices: retire or take a job on the fugitive task force in Detroit. “His former boss gets him reinstated but the only opening is in Detroit and he takes it,” Leonard says. “Raylan’s been in a lot of places, so I decided to do something different. I live in the Detroit area, let’s bring him here.”
You may come to the Ann Arbor District Library to pick up a book or movie or sewing machine or electric guitar knowing well in advance that’s why you’ve entered one of AADL’s five locations.
But if you come to visit us and you can’t quite figure out what you want to check out, you might ask someone on staff for suggestions -- and we’re always happy to oblige.
In that way, our 2018 staff picks for books, film, music, TV, podcasts, and more is one massive suggestion list.
We don’t limit our picks to material that came out in 2018; we list things that made an impact on us during the year, no matter when the media was released. Plus, we’ve added a Pulp Life category -- both on the blog and in this year-end roundup -- to note life experiences that we loved in 2018, from parks to restaurants.
And if you need help finding the material, or you’re looking for even more suggestions, just ask. We've already started making our lists for 2019.
The folk-music duo Gemini has been a vital part of the Ann Arbor music scene for more than 45 years.
Twin brothers San and Laz Slomovits started singing together with their cantor father in their native Hungary when they were very young and started learning instruments at age 7. They continued performing as the family moved to Israel and then the U.S., but things really took off after the brothers formed a folk duo post-college and then moved to Ann Arbor in 1973. For decades they’ve been known for their beautiful harmonies, multi-instrumental talents, and original songs, particularly for youth and family audiences, throughout Michigan and beyond.
Now, the twins are turning 70 and their music is still going strong. They’re planning a “140th Birthday Celebration” on Jan. 3 at The Ark, where the duo has performed countless times over the years. A number of special guests will join the brothers, and the concert will be recorded for possible release. Proceeds will benefit The Ark, where former leaders Dave and Linda Siglin and others have supported Gemini for decades.
“We literally can’t imagine what our music and career would have been like without them. This is a small gesture of gratitude on our part,” the brothers agreed. They answered a few questions about the concert and their career for Pulp.
Jessica Care Moore and Ursula Rucker are rockstars.
Google that shit.
On December 11 at the University of Michigan’s Trotter Multicultural Center in conjunction with the Department of Afroamerican and African Studies hosted Jessica Care Moore and Ursula Rucker for an hour-long discussion titled "Herstory: Hip Hop and Poetry."
Moore, a Detroit native, is most noted for her five straight victories at the "Showtime at the Apollo” competition as well as her publishing company Black Moore Press and her numerous books of poetry.
Rucker, who hails from Philadelphia, has released six albums of her poetry and has collaborated with many well-known hip-hop acts including fellow Philadelphians the Roots.
On Tuesday the women were resplendent. Moore sported a high-crowned red fedora and a colorful denim jacket adorned with an image of the late Ntozake Shange (Google that shit). Rucker had her hair pulled back and her face framed with black cats-eye glasses. Both women were performance-ready and engaged the audience with their own poetry and, perhaps most importantly, historical perspective.