Ann Arbor Summer Festival (A2SF) has a full slate planned for its 38th season:

The Ann Arbor Summer Festival (A2SF) announces a mix of new, in-person, and digital events that kick off on June 11. A2SF’s season anchor this year is a pop-up concert series Live Here Now presented by Toyota and will take place in public parks and spaces throughout Ann Arbor and Ypsilanti. A2SF is engaging a diverse group of community partners throughout the two cities and presenting many in partnership with the Ann Arbor District Library (AADL) this summer.

In-person events include Live Here Now pop-up neighborhood concerts, RSVP-based concerts and movies at Fuller Park in Ann Arbor, a downtown Ann Arbor theater installation for one audience member at a time titled Temping, a community-based Indian dance event Garba360, and Sidewalk Chalk Day featuring local favorite David Zinn. 

Digital events include the premiere of an A2SF new commission by New York-based Theater in Quarantine, an interactive performance by Brooklyn-based 600 Highwaymen titled A Thousand Ways (Part One): A Phone Call co-presented with University of Michigan Museum of Art (UMMA), and the second season of the A2SF podcast: Stories from the Top.

A2SF is working closely with local officials on event safety protocol for all limited capacity, in-person events. All in-person events will follow current safety guidelines from the State of Michigan, Washtenaw County, the City of Ann Arbor, and other local municipalities as well as national best-practice.

Reservations and tickets to most programs will become available at a2sf.org.

All of the characters in Kirstin Valdez Quade’s new book, The Five Wounds, are going through something major. While the challenges—teen pregnancy, addiction, cancer—are not uncommon, the ways that each generation of the family handles their circumstances drive the novel.

One character, Angel, has a son at age 15 and quickly becomes aware of how the adults around her do not actually have their lives together. Not only does she have that insight but she also must persevere when she doesn’t get the support that she needs and when she has to instead support the people who are supposed to be helping her. 

Yet, Angel proves herself resilient, even from a young age. Her mother, Marissa, informs Angel:

“When you were three you said, ‘Mama, can you tell me all the things I don’t know?’ You were so impatient to learn and make your own way.

Angel smiles. “I don’t remember that.” 

Knowing things does not comprise all of Angel’s learning, though. Along the way, she gains wisdom on what people are like and how to interact with them. 

Her father, Amadeo, tries and tries to get his life together but keeps succumbing to alcoholism. He acts before he thinks. An accident caused by his carelessness and drinking miraculously results in only minor injuries, but it is the only thing that can convince him to get his life on track, not just for himself but for his family, especially as the whole family dynamic shifts when people enter and exit their lives. 

Michigan Medicine at the University of Michigan has put out a call for artists for its Gifts of Art 2020/2021 exhibition season:

CALL FOR EXHIBITS 2021/22 – GIFTS OF ART - MICHIGAN MEDICINE, UNIVERSITY OF MICHIGAN

The Gifts of Art Program is seeking submissions for solo and group art exhibits for the September 2021 to August 2022 exhibition year. One of the first and most comprehensive arts in healthcare programs in the nation, Gifts of Art brings the world of art and music to Michigan Medicine at the University of Michigan. Our nine 2-D and 3-D galleries throughout the medical center are viewed by approximately 10,000 people a day and display over 30 exhibits a year.   

Gifts of Art’s rotating gallery program is intended to support the healing process by calming nerves, lifting spirits, engaging minds and thereby reducing the stress and anxiety often associated with healthcare settings. At Michigan Medicine, inclusion is a core value with the goal of fostering an environment where every individual has a sense of belonging. This value is reflected in the artwork we select for our galleries: art that welcomes, art that amplifies voices, and art that reflects the community we serve at Michigan Medicine. People of all races, ethnicities, ages, genders, sexual orientations, religions, beliefs, abilities, socioeconomic statuses and levels of education are welcome to apply.

For more information about our mission and other Gifts of Art programming, please visit www.med.umich.edu/goa.
 
To see the full prospectus and submit to this call, please visit: med.umich.edu/goa/CallforExhibits.htm

SUBMISSION REQUIREMENTS:

Friday Five is where we highlight music by Washtenaw County-associated artists and labels.

This week features soul from Disaster Relief with Thornetta Davis, hard rock from The London Beck, acoustic from Joshua Logan Alexander, industrial from G.B. Marian, and eclectic everything from Isolation Sundaze.

On April 4, Ann Arbor native DJ Tim Baker died of a heart attack while spinning for a charity live stream on Easter morning.

A 1985 graduate of Huron High School and Eastern Michigan University, Baker had residencies at Ann Arbor's Nectarine Ballroom in the late 1980s and in the 1990s he started touring Europe and producing his own Detroit techno- and Chicago house-influenced tracks for a variety of labels including his own, Real Estate Records.

Baker died in Chicago, where he had lived since 1998.

A service was held April 15 at Nie's Family Funeral Home on Carpenter Road in Ann Arbor, and according to a friend, Baker was "laid to rest in a U of M casket with a [drum machine] on his lap and some silver shoes."

Below are a selection of Baker's tunes, mixes, live appearances, and some remembrances by several electronic-music website's and the family's obituary.

During this cloistered pandemic year, lots of us have daydreamed about escaping to sunny, tropical destinations.

So readers drawn to the beach-y cover of Ann Arbor-based novelist Camille Pagán's latest release, Don’t Make Me Turn This Life Around, may be initially surprised to find that the book tells the story of a family getaway to Puerto Rico that goes very, very wrong.

But let’s keep in mind the time in which it was born.

“It’s my pandemic book,” says Pagán, and it follows up on the characters from her Amazon bestseller Life and Other Near Death Experiences but can also stand on its own. “It took me a while to get excited about it. … But I knew I wasn’t done with Libby. She’s my favorite of any of the characters I’ve created.”

Friday Five is where we highlight music by Washtenaw County-associated artists and labels.

This week features ambient techno by John Beltran, hip-hop from Approachable Minorities and Prhyme Rhyme Boss, indie-folk rock by Canada, and neo-lounge via Velveteen Blue.

Last October, The Brass Tacks Ensemble Theater released Our Regularly Scheduled Program, a unique take on quarantine theater, created by Isaac Ellis and James Ingagiola. The 10-part original YouTube series features short performances that touch on comedy and drama, featuring people who must show off their talents to the public, which demands entertainment 24 hours a day, seven days a week. Should these people refuse to perform? The consequences are dire.

The Brass Tacks have just announced that the second season of Our Regularly Scheduled Program will debut on June 3:

Pulp received some sad news from Ann Arbor's long-running Wild Swan Theater:

Curtain Call for Wild Swan Theater

Dear Friends,

It is time to bring down the curtain on Wild Swan Theater. After more than four decades of joyful, exuberant, sometimes zany, sometimes poignant, always heartfelt theater making, it is time to say our goodbyes. 

Avery Williamson (b. 1990)
Cleo, Tidal and Delores 1948
averywilliamson.com
Instagram: @aisforavery

Following the Ann Arbor District Library's Call for Artists in 2020, AADL installed a Black Lives Matter mural on the south side of Library Lane on Friday, May 21 featuring the works of eight artists.

Below is our interview with muralist and AADL Black Lives Matter Mural Artistic Coordinator Avery Williamson.