There’s a moment near the end of Laura Bernstein-Machlay’s new book of essays, Travelers, in the middle of the author’s conversation with a friend on page 163, when she makes the comment, “I’m a liar … I’ve lied to everyone I know. I lie to myself every damn day.”
Out of context this excerpt might seem to cast the speaker in an uncharitable light -- an appearance that is ameliorated by having come to know the narrator as a genuine and warm person over the course of the previous 15 essays -- but it’s worth mentioning because it speaks to the heart of one of the challenges inherent in the genre Bernstein-Machlay has thrown herself into with this book. When taking oneself as a subject, how can you ever be sure that the truth is what you think it is? How can you weed out the false from the real in the stories we tell about ourselves, reinforced through repeated use?
“I had to be as honest with myself as I possibly could,” Bernstein-Machlay said in an interview. “And that meant moving past the lies I was so easily telling the world. So much that I was telling them to myself. And they weren’t big lies, they were just the stories about yourself that get you through the day.”
There ain’t nothin' like the blues.
Perhaps that is why in 1969, a group of University of Michigan students created a gathering in an open field on the banks of the Huron River to listen to some blues from the likes of Otis Rush, Howlin’ Wolf, Big Mama Thornton, T-Bone Walker, Lightnin’ Hopkins, B.B. King, and Muddy Waters.
They created not only the first blues festival in Michigan but the first electric blues festival ever.
Is it almost over? It’s almost over.
But you still have time to enjoy some good summer books.
Still searching for the perfect beach read? Look no further than Michigan mystery writers Darci Hannah (Cherry Pies & Deadly Lies), Pamela Gossiaux (Trusting the Cat Burglar), Greg Jolley (Malice in a Very Small Town) who are appearing at Nicola’s Books on August 16 at 7 pm for "a late-summer mystery event, filled with great beach reads for your last summer gasp."
Hannah began her writing career with historical fiction, penning 2010’s The Exile of Sara Stevenson. But when her agent recommended writing in another genre, Hannah started Cherry Pies & Deadly Lies and knew just where she’d start.
Starting August 10, Kerrytown Concert House will be host to the first in a continuing series of concerts hosted by longtime Ann Arbor resident and jazz bassist Paul Keller. This inaugural installation of “Paul Keller Presents” will feature the talents of singer and pianist John Proulx, a Grand Rapids-raised musician whose career has taken him from coast to coast before leading him back home to pursue a Master’s degree from Western Michigan University.
“He has a grasp of jazz language that I like to hear,” Paul Keller said of Proulx. “He has a grasp of the way that I like to present jazz. I’m proud to be on the stage with him because of those things.”
Performing as a trio, Keller and Proulx will be joined onstage by drummer Pete Siers, who is also an Ann Arbor resident. Siers, who will also be playing on the “Paul Keller Presents” concert of September 28, is a musical collaborator of Keller’s and performs in the Paul Keller Orchestra, a nearly 30-year-old big band that performs every Monday at the Zal Gaz Grotto in west Ann Arbor.
Callie Feyen's new book begins with a kiss. But the writing of said book began with an essay -- one she wasn’t particularly keen to write.
“My editor at [T.S. Poetry Press] asked me if I wanted to write about teaching Romeo and Juliet to eighth graders. But at the time I thought it would be too painful.”
The longtime middle school teacher felt that way after she found herself at a school where lesson plans were scripted and tightly monitored; teachers received reprimands for going “off script.” After years of creative lessons plans and multisensory activities, Feyen was frustrated by being locked down in a specific teaching style and writing the essay would make her "remember how I used to be able to teach.”
Feyen’s editor then suggested starting with an essay about the classroom experience; that essay ended up becoming the first chapter in The Teacher Diaries: Romeo and Juliet. The book details Feyen’s many years of teaching the Shakespeare classic to middle school students.
When someone “gets down to brass tacks,” they’re focusing on the essentials -- and this is precisely what an Ann Arbor-based theater troupe, The Brass Tacks Ensemble, aims to do.
The company’s sets, props, and costumes are usually spare and simple in hopes of putting the spotlight on a play’s story and inviting audience members to fill in blanks with their imagination.
BTE’s latest offering, Eugene O’Neill’s The Hairy Ape (playing August 2-4 at Kerrytown Concert House), will be in keeping with the company’s vision.
Over the first four years of its existence, the Broken Branch Breakdown roots-music festival has established itself as a truly grassroots event in the Ann Arbor community.
Admission is free. The vibe is casual and family friendly. The music itself is rootsy, mostly falling somewhere into the Americana/folk/jam-band genres.
It’s almost like somebody just invites all of Ann Arbor over to relax and listen to some tunes in the backyard. And in fact, that’s exactly what happens.
Imagine you love a sport. You live that sport. You follow that sport and know the players and the stats and the plays.
And then you move to a place where that sport is not only not revered but is called by the wrong name.
That’s what happened to Gary B. France 23 years ago when his physiotherapist job brought him from Lancashire, England, to southeast Michigan. He found himself starved for information on soccer (football) in general -- and more specifically, Manchester United, aka The Red Devils, aka The Reds.
“We are so used to 24/7 coverage these days that we might not remember that there wasn’t much back in the '90s," France says. "All I had was my own passion and the drive to remain connected to the sport.”
In those days France got his sports fix during transatlantic calls to his father and from two-week-old British newspapers that he found in the Little Professor bookstore in Dearborn. By chance, he found an old shortwave radio and got BBC World Service, which gave coverage of the second half of one game once a week on Saturday mornings. “I just had to hope it was my team!” laughs France.
Over more than 40 years making music together, Mustard’s Retreat has established a reputation around the region as a talented and entertaining folk duo -- two guys and two guitars.
However, the group actually started out as a trio -- and for a new album and current concerts, original member Libby Glover has rejoined David Tamulevich and Michael Hough. Her presence brings a whole new dimension to the Mustard’s Retreat sound, yet the transition sounds just like it feels -- perfectly natural.
“When David and I first began singing together, something happened. We didn’t have the words to articulate what it was, but we both felt it was important. Then when Libby and David began singing together, something more happened,” Hough says of the group’s 1970s roots. They soon started working as a trio and found a special sound. But life took Glover out of state and Mustard’s Retreat made its reputation as a duo.
“Sometimes a play calls out for a staged reading,” said Carla Milarch, Theatre Nova’s founding artistic director.
This is precisely why the Ann Arbor-based company -- which specializes in producing new work and is located in the Yellow Barn on Huron St. -- is hosting its Michigan Playwrights Festival for a third year.
“We’ve configured it differently over the years,” said Milarch. “At first, we crammed all the plays into one big week. But we tend to find a lot of plays we really like and want to see read, so we decided to break it down into two installments. … We pick 10 plays and space the festival out so we have one week in the fall and one in the spring. This [July 25-29] will be the second installment of last year’s submissions.”