Jesse Kramer's "Antinous as Osiris" interprets Roman passion and New York jazz through the lens of a Washtenaw County upbringing
For roughly half a decade, the Roman emperor Hadrian was in love with a man who was not his spouse. Between 125 CE and 130 CE, the Greek youth Antinous became a favorite of Hadrian, and for the final two years of the latter's life they were side by side touring the Roman empire.
After Antinous' surprise death on the Nile, Hadrian was devastated and, in his grief, proclaimed his lover a deity, In turn, priests connected Antinous to the Egyptian god Osiris, lord of the underworld, afterworld, and rebirth.
Nearly 2,000 years later we have Antinous as Osiris, the latest album by Ann Arbor jazz drummer Jesse Kramer.
To the Beat of Their Own Drummer: The Rasa Dance and Theater Festival spins off to highlight works from India
Sometimes a multi-arts celebration does such a good job at presenting its multiple arts -- dance, theater and musical performances, visual arts exhibitions, literary events, film festivals, and culinary showcases in the case of Akshara's India-inspired Rasa Festival -- that it has to split itself up just so those interested can find the time to attend.
Rasa has filled venues in Washtenaw County every September and early October since its 2017 inception, but Ann Arbor's Sreyashi Dey -- dancer and president and artistic director of Akshara -- admits the dozens of high-quality events the festival presents became something of a traffic jam.
"What we were finding is that everything being concentrated and focused on in one month left a lot of people out even though they were interested in various events," she said. "There's always conflict and it's a busy time when people are coming back to school and other things are picking up."
The Rasa Festival will still be roaring throughout September 2019, but some of the dance and theater elements now have their own summer spotlight. On June 15, three dances and one dastangoi (storytelling) performance will happen at Riverside Arts Center in Ypsilanti, with many of the works featuring a strong feminist point of view. (There will still be some dance mixed into the fall fest, too.)
What makes a food classic to Michigan for you?
This diverse state includes foods from many backgrounds, such as Lebanese, Native American, and Polish. Michigan is also known for its seasonal produce: blueberries, cherries, apples, and sweet corn, among others. Regional dishes abound, too, like pasties, fudge, and Detroit-style pizza. Many definitions are clearly possible.
A new cookbook by Mandy McGovern, My Little Michigan Kitchen: Recipes and Stories from a Homemade Life Lived Well, contains McGovern’s take on Michigan fare. This book springs from McGovern’s interest in food. When traveling, she would purchase a cookbook about the cuisine in the places she went. As she tried recipes from those books, she shared her explorations on her blog, Kitchen Joy, which she started in 2013 to document her cooking. McGovern then wanted to create a cookbook of her own focusing on Michigan.
The 100-plus recipes in My Little Michigan Kitchen cover breakfast, brunch, bread, soups, salads, sandwiches, vegetables, sides, main courses, desserts, drinks, dressings, dips, sauces, and also basics like pie crust. Monkey Bread, Roasted Butternut Squash Soup, Grilled Asparagus, Chicken Pot Pie, and Spiced Oatmeal Cake are among the recipes.
McGovern will share samples and speak about her book on Thursday, June 13, at 7 pm at Nicola’s Books in Ann Arbor.
There are those summers -- or seasons in general -- when it feels like everything changes. Perhaps you change, someone else changes, or something about your environment shifts.
The Rest of the Story, the new young adult novel by Sarah Dessen, tells the story of one such pivotal summer. The main character, Emma Saylor, finds herself confronting family history when she has to spend several weeks with her mother’s side of the family, whom she barely knows. There at the family business, a hotel on a lake, she forms new relationships, learns about her family’s past, and expands outside of her identity as she knows it.
The author of 14 novels, Dessen hails from North Carolina, has taught at the University of North Carolina, and lives in Chapel Hill.
She will speak, answer questions, and sign books at the Ann Arbor District Library’s downtown location, 4th-floor conference room, on Tuesday, June 11, at 7 pm. (The reading was previously scheduled at Literati Bookstore but moved to the Downtown Library owing to demand.) Pulp had the chance to ask Dessen a few questions.
Modern Element prides itself on being “a band made up of all genres," said Trunino Lowe, the group’s trumpeter and 21-year-old leader. "We have a mixture of jazz, hip-hop, R&B, gospel, blues, neo-soul, Latin, reggae and pop. We don't have a favorite genre. We just play for the soul."
The Detroit group consists of Benny Rubin Jr. (alto sax), Jeffrey Trent (tenor sax), LeRoy Mickens (keyboards), Tony Stanford (bass), and Louis Jones III (drums) and has been spreading soulful vibes since their high school days.
"We all went to Detroit School of Arts together," Lowe said. "Being in band and jazz band, we were always together. While being in combo together, we decided to really be a band after high school."
That education was a huge influence on Lowe's life and he has trouble understanding why arts classes are always on the chopping block in schools.
Mother Carol (Lisa Coveney) is anxiously putting together the perfect 21st birthday party for her son Andy, who is severely disabled and living in a care home. Also invited to the party are Carol’s parents, Patricia (Lenore Ferber) and Brian (Michael Haifleigh), and Carol’s adult daughter Claire (Katie Whitney), who takes this opportunity to introduce her new boyfriend Mark (Chris Krenz) to the family. Carol’s estranged husband Ian (Brian Hayes), who abandoned the family when Andy was a baby, also chooses to attend unannounced. In the words of producer Tim Grimes, “The intrusion does not go well.”
Now in its 20th year, Redbud Productions, offers acting classes for adults and high school students using the techniques of Sanford Meisner, which, among other things, focus on emotional work.
Musical Scrappers: Akropolis Reed Quintet's Together We Sound Festival showcases the group's penchant for outside-the-box collaborations
The Akropolis Reed Quintet's second annual Together We Sound Festival begins May 28 at Cass Tech High School in Detroit and continues in various spots in the city before moving to Ann Arbor on Friday, June 7, at Kerrytown Concert House (KCH). It concludes June 8 back in Detroit. Over the course of fest, Akropolis will also play two evening concerts in Detroit and Hamtramck, plus three lunchtime workplace concerts, six K-12 school presentations, a side-by-side student concert with an Akropolis concerto, and two pop-up events in public spaces. featuring world premieres by Akropolis in collaboration with local and national artists.
Founded in 2009, Akropolis members Matt Landry (saxophone), Kari Landry (clarinet), Tim Gocklin (oboe), Ryan Reynolds (bassoon), and Andrew Koeppe (bass clarinet) met when they were students at the University of Michigan. Since then the quintet has won numerous national awards, has premiered more than 50 reed quintet works, and has released three recordings. In 2014, Akropolis became the first-ever ensemble of its makeup to win the prestigious Fischoff Gold Medal chamber music award.
Akropolis will premiere a new work, Sprocket: A Scrap Metal Sextet, at the KCH concert, a collaboration combining the music of composer Steven Snowden, and a rideable percussion bicycle designed and built by Detroit metal artist and Kresge Arts fellow Juan Martinez. Percussionist Zac Brunell will join Akropolis and ride/play the tricycle which will make familiar and unusual sounds powered by the gears attached to the pedals.
I interviewed Landry, who is also Akropolis’ executive director, and Juan Martinez, the creator of the musical tricycle for Sprocket, via email to talk about the quintet's work, Together We Sound Festival, and commissioning new compositions.
Detroit has lived under the flags of three countries, watched its fortunes soar with stove and automotive manufacturing and then crash back to earth with bankruptcy, and the city continues to evolve and change in myriad ways today.
“I always wanted to write,” the author says. “The Great Recession led to a job loss, which led to writing for trade publications and to my first book for Arcadia Publishing, called Forgotten Detroit.”
Since then, Vachon has published South Oakland County: Then & Now, Legendary Locals of Detroit, and Lost Restaurants of Detroit, as well as two guidebooks, MOON Michigan and MOON Michigan's Upper Peninsula. “History has been my passion in many ways,” he says. “And about two years ago Reedy Press approached me to do a timeline book about Detroit.”
The book is a chronological telling of events in Detroit, broken up into chapters that correspond to periods within the city’s history. “The subject matter ranges from military conquests to industry to individual people who shaped Detroit in some way," Vachon says. "The book examines political developments, business trends … all the way up to the bankruptcy.”
Connor Coyne's novel "Urbantasm: The Dying City" deals in nuances not dichotomies about his Flint hometown
There’s usually more than meets the eye in both fiction and nonfiction. There’s more to Jean Valjean than just taking that loaf of bread. Moby Dick was more than a whale. And Flint isn’t just a town with a water crisis -- it is a city full of artists, activists, and everyday people trying to live their best lives.
And that’s the picture author Connor Coyne aims to paints in his new serial novel set in a city based on Flint, Urbantasm: The Dying City. Coyne lived in the city until he was 12 and returned after the birth of his daughter. “I loved Flint and wanted to be part of the community again,” he says. “I’ve always had this sense of the vitality and creative energy in this area ... that doesn’t always get talked about.” Coyne hopes that readers recognize his passion for the city in the book.
Urbantasm tells the story of 13-year-old John Bridge, whose big plan to become the most popular kid at his new junior high school is put on hold by a series of strange events. After taking an enigmatic pair of blue sunglasses from a person who is homeless, Bridge soon finds himself mysteriously dropped into the middle of a gang war in his hometown of Akawe. This formerly great Rust Belt city is home to a gang of white supremacists, a homegrown drug called O-Sugar that was responsible for the deaths of a group of local kids, and suspicious deaths that may have been murders. Bridge must navigate these mysteries while adjusting to a new school and dealing with problems at home and in his city.
FRANNY CHOI’S POETRY COLLECTION “SOFT SCIENCE” STUDIES FOREIGNNESS AND NATURALNESS IN IDENTITY AND WITH TECHNOLOGY
Soft Science, the title of Franny Choi’s second book of poetry, is meant as a pun. In one sense, it is a term sometimes used in academics to refer to the social sciences. Alternatively, this title describes the collection’s study of softness and vulnerability, Choi told Pulp. Both of those meanings convey the book’s examination of what it means to be alive and live with technology, a matter that Choi does not see as only binary.
“There is an alternative to simply being afraid of the ways that technology steals from our humanity,” she said. “I think that the primary way that we’re allowed to think -- not to think, but to feel -- about technology is either like [it’s] this unfeeling, perversely optimistic god that will save us, or the enemy that’s here to replace us. I think that there are more options for feeling.”
You can hear poems that explore those options when Choi, who lives in Hamtramck and recently earned an MFA at the University of Michigan, reads at Literati Bookstore in Ann Arbor on Tuesday, May 14, at 7 pm.