We live in a world of things. Each chair, cup, table, door, and car in our built environment is the product of human ingenuity, from concept to execution. Works in Progress, an exhibit on view now at the Ann Arbor Art Center, celebrates the creativity of 24 international and domestic designers, at varying stages in their careers, who bring functional works to life through fashion, graphic design, furniture, architecture, and industrial design.
Many of the products and designs on display feature high tech materials and methods not usually associated with what we normally think of as “craft.” The centerpiece for this non-analog approach is You Are the Ocean, a video installation by Ozge Smanci and Gabriel Caniglia, which takes up about a third of the entry room in Gallery 117. It’s not an object at all, but documentation of a computer-assisted visualization of how the mind can alter an image via computer, unmediated by the human hand or real-world material. Using the Unity Game Engine, the designers wrote code that creates a synthesized, uninhabited, and turbulent seascape. Clouds roll and waves crest in response to the subject’s brain waves in various states of concentration or relaxation. The resulting scene is both bleak and beautiful, exhilarating and disturbing. I can imagine that this is the kind of art our cyborg descendants will find beautiful, and it gave me a profound sense of my own obsolescence.
You've got the girl groups, from The Supremes to En Vogue.
And you've got the boy bands, from The Temptations to The Backstreet Boys.
“We are unusual because a lot of gay and lesbian choirs are all men or all women,” says Out Loud Chorus board member Tim Hamann. “We have always been a mixed group, truly a community chorus.”
During the January 18 and 19 performances, expect to hear music from Motown groups, '90s boy bands, Destiny’s Child, The Andrews Sisters, The King’s Singers, and more.
"'Gurl Groups and Boi Bands' will be set up like an episode of The Voice," says Hamann. “But we are calling it The Queer Voice. Then we will have skits peppered throughout the program.”
Riverside Arts Center's YpsiNow: Intersections asks this question in its announcement: “What is Ypsi, right now? Its paths, connections, struggles, and joy all interweaving to create the tapestry of Ypsilanti.”
For this second annual iteration of the exhibit -- juried by RckBny, Gary Horton, and Rey Jeong -- the question is answered by Ypsilanti High School students and adult residents working in a variety of media.
The high school students’ photography, collage, paint, ink, and written-word works are clustered on one wall, illustrating the diversity of approach among the teenagers, which is reflective of the overall approach to the exhibition. The adult Ypsilanti artists fill the rest of the gallery with sculptures, installations, and 2D works.
“Detroit is a very diverse city -- most people outside of Detroit don’t realize how diverse it is. They see only in terms of black and white. But … a variety of people from all over who wound up here," Jones says. "I wanted to create a character that was representative of the two largest minorities in Detroit: African-American and Mexican-American. These are two minority groups that have never really seen eye to eye. And for August, I wanted him to be the product of two cultures that have often clashed but feel no personal dichotomy. He feels he has the best of both worlds ... he has pride in both cultures. And he’s comfortable with himself. I wanted people to know that is achievable -- that you can be a product of two cultures, two peoples and be at peace with who you are.”
“I think that it’s very important to play this music, to tell the story of Brazilian music,” he explained. Mehmari -- who appeared at Kerrytown Concert House nearly a year prior -- brought with him an exciting collection of repertoire, music infused with influences of jazz, ragtime, classical, and all manner of Brazilian and Latin American music.
But Mehmari has added another type of music to his repertoire: NPR jingle. The virtuosic pianist put out a 25-minute video of him performing three stunning variations on the well-known NPR theme.
Perhaps Mehmari will perform these creative variations when he returns to Kerrytown with his trio on Saturday, January 19, but you can check out the pianist's NPR jam now as you read the Pulp interview we did before that 2017 show:
Before the Civil Rights era, women couldn’t go to most Ivy League schools, get credit cards in their own names, or serve on juries in all 50 states.
So what was it like for a smart, headstrong young woman in 1960s era Deep South growing up in a family that wants her to either be a “Southern belle” or a tomboy?
C.A. Collins’ book Sunshine Through the Rain examines at that very question in the character of Christie Ann Cook, a wise-beyond-her-years teenager who speaks her truth as she comes of age during a period of extreme social change.
While the Concordia University grad and Michigan-based writer didn’t grow up in that era, Collins says, “I have always had an interest in those tumultuous years in the South. I raised in Louisiana where the 'n' word was the norm, but my parents taught me to judge someone by their character, not the color of their skin. In this book, I really wanted to show a young girl who had diverse people in her life that she loved and cared for and how she was torn between her small insular world and the uncertain bigger world around her.”
UMMA's exhibit Art in the Age of the Internet, 1989 to Today tracks the impact of the web on visual art over the past 30 years. While comic books aren't represented in the exhibit, it is a visual art form that has been radically modified over the past three decades by digital culture.
Inspired by the exhibit, UMMA and Vault of Midnight - Ann Arbor are combining forces for a new comic book club: "The Age of the Internet in Comic Books and Graphic Novels." Vault of Midnight will host the meetups once a month in its Ultralounge, all of which are on a Sunday at 2 pm.
The series will include the following titles:
U-M alumna Penny W. Stamps died from leukemia on Dec. 18, 2018, but her dedication to bringing arts and ideas to Ann Arbor community continues with the school and speaker series named in her honor.
The winter lineup of U-M Stamps School of Art & Design's Penny Stamps Distinguished Speaker Series was announced Jan. 11 with 12 events, primarily at the Michigan Theater and many in conjunction with other performances and events at the university and in the community.
Raylan Givens has been to a lot of places: Miami, Florida; Harlan County, Kentucky; Glynco, Georgia. And now he’s come to the Motor City in the riveting Raylan Goes to Detroit by Michigan-based author Peter Leonard.
After an altercation with his boss, Raylan is given two choices: retire or take a job on the fugitive task force in Detroit. “His former boss gets him reinstated but the only opening is in Detroit and he takes it,” Leonard says. “Raylan’s been in a lot of places, so I decided to do something different. I live in the Detroit area, let’s bring him here.”
Synth music is often a solitary exercise. It's easy enough for one person to program all the music and not have to deal with band dynamics.
Electronic music duos are more common and count influential acts such as Orbital, Mouse on Mars, Autechre, Boards of Canada, Coil, and many more in those ranks.
Less common is a synthesizer trio, quartet, or quintet, but there is a rich history of synth groups, too, from Tangerine Dream, Kraftwerk, Harmonia, Throbbing Gristle, Add N to (X), and Hot Chip. The combination of personalities mixed with live playing over sequenced sections gives the music a more human quality, and Washtenaw County trio Doogatron is part of this lineage.
Stevie, Kyle, and Mike -- family names are for families -- make loose-limbed techno that mixes programmed parts on computer and live playing on vintage synths. The group's sound is elastic and trippy even as it's framed by linear rhythms.
Doogatron's self-titled debut LP came out Nov. 2, 2018, and the group has followed that with a New Year's Day 2019 mix of original tunes, reworked album cuts, and earlier tunes initially heard on Soundcloud. In February, Doogatron will release the first of at least four EPs/singles scheduled for this year. "Each release comes from one continuous recording session," Stevie said, "so each track will serve as a part one, part two, part three experience," starting with "Before Subsidized Time" b/w "After Subsidized Time."
Stevie gave us the lowdown on Doogatron's history, name, and work process.