What happens when the goal you've spent an eternity working toward is finally within your reach, but then you encounter something you want even more?

And what if forsaking your long-sought goal also came with an impossible price?

In At the End of the River Styx, Zan needs only one more soul to fulfill his obligation to the terrifying Ferryman of delivering 500 souls in 500 years, but the latest soul to walk through his door is unusual. First, this boy, Bastian, does not seem to be entirely dead; and what's more, he sees something in Zan beyond a grim harbinger of doom. 

"At the End of the River Styx is a book about grief and about love, about two boys finding themselves at the edge of Death," says Ann Arbor author Michelle Kulwicki about her debut young adult novel. "I think it's really about conquering grief and learning to love again, learning to love yourself, learning to love other people around you."

I spoke with Kulwicki about At the End of the River Styx and other creative pursuits.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features lo-fi chill by Whimsical Beats, hyperpop from The Cicada, rampant eclecticism via Isolation Sundaze, modular synths by Luminous Fridge, and political grunge by History History.

Despite life’s obstacles, Jo Serrapere sees the beauty in herself and the world around her.

The Dearborn singer-songwriter shares that hopeful mindset on her latest double album, The Beautiful Ones, Volume I and Volume II.

“The whole record is about beauty and about seeing beauty through light and dark and the good times and the bad times. It’s most fulfilling to write from a personal [perspective] and try to help people,” said Serrapere, who’s a clinical psychologist and U-M alumna.

“It’s [also] coming to that realization of where I want my music to go. I could just sing in my bedroom and that would be fine … but the whole point is to try to touch other people in the process.”

Serrapere includes 22 tracks that explore her emotional struggles and the growth she’s experienced along the way. Those personal reflections also prompted her to take a more autobiographical approach to songwriting for the album.

“I joke that I’m at an age where I’m going to write my autobiography,” Serrapere said. “I wanted a personal record and all these songs fit in that genre.”

Ann Arbor has celebrated its 200th anniversary throughout 2024 with numerous citywide events and initiatives. But a recent exhibit drills down to the first 50 years of the town's formation.

The Museum on Main is a two-story yellow-beige house just north of downtown, at the five-point intersection where Main and Kingsley Streets meet with the end of one-way Beakes Street.

The museum is hosting Ann Arbor's Story: The First 50 Years, a revealing look at the beginnings of European settlement in the area, through its first half-century of officially existing as a village, long before it became a city. Photographs, maps, and original documents provide a revealing and humanizing view of a past, which can seem so foreign to 21st-century America, making the exhibit worth the 15 minutes or so most people will take to go through it.

The Museum on Main's website explains the people, places, and things that comprise the exhibition:

Sequels aren’t exactly rare or novel. As a creative enterprise, they’re safer than a wholly original property because they thread a narrative needle, providing readers/viewers with something both familiar and unknown—a new story featuring characters and a world we already “get,” no exposition necessary.

More recently, of course, we’ve witnessed the rise of the prequel (Wicked, anyone? The Joker? Cruella?), which offers the same artistic advantages but projects backward in time rather than forward.

With all this in mind, allow me pause to sing the praises of prolific, Michigan-native playwright Joseph Zettelmaier (now based in Florida) for breathing new air into an old form with his latest play, The Men of Sherwood, now having its world premiere via Penny Seats Theatre Company through December 8.

While most sequels lean in hard on a story’s central character, depending on their allure to draw fans back, Zettelmaier instead kills off a beloved, charismatic hero and asks: What happens to a story’s minor characters, the followers, when the nucleus that long held them together perishes? Can a body, without its beating heart, function? (And even if it can, should it?)

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features hard rock from Black Note Graffiti, worldly electronica via KUZbeats, psych-funk by Davis Caruso, modern classical by Alexis C. Lamb & Andy P. Smith, and folk-pop by Bekka Madeleine.

"Ripped from the headlines!" is a dramatic tagline frequently used for gritty police procedurals. But it can, perhaps increasingly, also be applied to broad slapstick comedies.

Inspired by real events in a small town Up North, Jeff Daniels' Office Christmas Party Grinch in Fight with Rudolph Police Called (styled without punctuation) imagines the chain of events leading to the title bout between Whoville's most notorious thief and the most famous reindeer of all. Directed by Daniels and starring Ryan Carlson, Paul Strolli, Henri Franklin, Juji Berry, and Ruth Crawford, it is playing at The Purple Rose Theatre in Chelsea through December 22.  

Office Christmas Party Grinch in Fight with Rudolph Police Called, which writer, director, and Purple Rose founder Jeff Daniels describes as "the longest title of anything I've ever written," takes place in the aftermath of the titular skirmish. Wally Wilkins Jr., the third-generation head of Middletown Fudge Company, berates employees Jerry Cornicelli, a.k.a The Grinch Who Stole Christmas, and Lamar Johnson, wearing a homemade Rudolph the Red-Nosed Reindeer costume, about the mayhem that ensued after a disagreement about the tempo of "Silent Night." Wilkins' daughter Bernice is thrilled that their company is part of a viral moment, but Wilkins himself fears the negative attention may sink his already struggling business. The gang is offered a holiday miracle, of sorts, from a sleazy media company offering big money for a Grinch/Rudolph rematch—now the challenge for Wilkins is convincing the would-be pugilists to get back in the ring for the "Fight Before Christmas."

An empowering quote from Bell Hooks is printed in a black serif typeface on a brown handbill-size poster card.

The statement from the late author reads, “If we give our children sound self-love, they will be able to deal with whatever life puts before them.”

That motivational proclamation is one of numerous type-driven messages hand-printed on 3,000 vibrant 8-inch-by-6-inch poster cards by Amos Paul Kennedy Jr.

The Detroit printmaker’s renowned letterpress work is featured as part of Random Thoughts on Poster Cards, an exhibit running at Eastern Michigan University through December 14.

“People give me quotes, I read things, and then I just compile a list. And depending on the mood I’m in, I print what I want to,” said Kennedy alongside fellow letterpress printer Gerald Schulze during the exhibit’s November 7 opening reception at EMU’s University Gallery.

“It’s just a matter of someone telling me something, and I’ll say, ‘Oh yeah, that would make a good poster,’ or I’ll read something and think, ‘That would make a good card,’ and then I just print them.”

The Monday Mix is an occasional roundup of compilations, live recordings, videos, podcasts, and more by Washtenaw County-associated artists, DJs, radio stations, and record labels.

This edition features sights and sounds from Leon Loft (concerts), Ann Arbor District Library (concerts), Perfect Average (music video), ImCoPav (music video), and Joseph Neely (poetry).

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features beautiful voices from the University of Michigan Men's Glee Club, chill beats from White China, white noise and bleeps from The Chillennial, remixed and realigned R&B by Skyline, and icy post-punk indie by Modern Lady Fitness.