Neighborhood Theatre Group's intimate performance space makes room for the anthology drama, “The Hotel Del Gado”

THEATER & DANCE REVIEW

Dinah R. Tutein and Josh Stewart in "The Dark Room."

Dinah R. Tutein and Josh Stewart in The Dark Room. Photo by Aeron C. Wade.

The Neighborhood Theatre Group’s small, minimalist theater is an intimate space for what it calls an anthology play in four parts.

The seating is limited. The stage area is small. The audience is practically part of the scene.

All these limitations are a plus for a theater that emphasizes a tight story, engaged actors, and a very different theater experience, especially for a production like The Hotel Del Gado.

The anthology drama will conclude its two-weekend schedule March 14-16 at The Back Office Studio in Ypsilanti. 

Its four plays are set in a cheap, rundown hotel room. The time is the 1970s. The Neighborhood Theatre Group (NTG) co-founder and literary manager A.M. Dean created a conceit that many of the NTG plays will be set in a place called the Huron Valley Universe, drawing on the college towns of Ypsilanti, Ann Arbor, and East Lansing.

Friday Five: Jesse Stiles and Bombici, Golden Feelings, Loss of Life, Sacha, Delphine Delight

MUSIC REVIEW FRIDAY FIVE

Cover art for the music in Friday Five.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features worldly improv-rock by Jesse Stiles and Bombici, healing ambient by Golden Feelings, political metalcore by Loss of Life, hyper-pop emo by Sacha, and electronica by Delphine Delight.

Sister Act: Encore Theatre’s Michigan Premiere of Paul Gordon's “Sense & Sensibility: The Musical”

THEATER & DANCE REVIEW

Chelsea Packard as Elinor Dashwood and Jessica Grové as Marianne Dashwood in "Sense & Sensibility: The Musical." as

Chelsea Packard as Elinor Dashwood and Jessica Grové as Marianne Dashwood in Sense & Sensibility: The Musical at the Encore Theatre. Photos by Michele Anliker.

You realize which adaptation of Jane Austen’s classic novel Sense and Sensibility has left the strongest impression on you when—in the opening moments of a stage performance—you find yourself thinking, “OK, that’s the Emma Thompson sister, and that’s Kate Winslet.”

Yes, the much-celebrated 1995 film, directed by Ang Lee, casts a long shadow, but Sense & Sensibility: The Musical, now having its Michigan premiere at Dexter’s Encore Theatre, nonetheless offers its unique spin on the material.

With a book, music, and lyrics by Paul Gordon (who also previously adapted Jane Eyre into a Tony-nominated stage musical), Sense streamlines Austen’s world of characters down to the bone, a move that—given the economic and relational complexities of the story—occasionally makes plot turns confusing.

But I’m getting ahead of myself, dear reader, but first, a synopsis.

Monday Mix: Normal Park, Camera Cowboy's Trailside Tunes, Dave Sharp Worlds Quartet, MEMCO mixes, Mark Kirschenmann

MUSIC MONDAY MIX

Screen captures from the videos and audio presented in Monday Mix.

The Monday Mix is an occasional roundup of compilations, live recordings, videos, podcasts, and more by Washtenaw County-associated artists, DJs, radio stations, and record labels.

This edition features sights and sounds from flannel-flying punks Normal Park, which has had three concerts documented by Punkbedfilms; the debut clips from Camera Cowboy's Trailside Tunes, featuring live performances by Cowgirl and Adam J. Snyder; a concert recording of the Dave Sharp Worlds Quartet; three new dance-floor mixes from MEMCO; and trumpeter Mark Kirschenmann performing melodic excerpts from his new album.

Friday Five: Dre Dav, Muruga-Sikiru-Trance Tribe, Horse Bomb, Orka Veer & Zakoor, Cedar Bend

MUSIC REVIEW FRIDAY FIVE

Cover art for the music in Friday Five.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features hip-hop from Dre Dav, drumcentric world-music jams by Muruga-Sikiru-Trance Tribe, noise-rock by Horse Bomb, big-synth music by Orka Veer & Zakoor, and chamber-pop by Cedar Bend.

A New "Twist": Allison Epstein’s novel “Fagin the Thief" reframes the Charles Dickens character

WRITTEN WORD PREVIEW INTERVIEW

Allison Epstein author photo on the left; Fagin the Thief book cover on the right.

Author photo by Kate Scott Photography.

Fagin the Thief comes with content warnings for all sorts of sinister actions: abuse, death, swearing, and crime, including property theft. Yet readers may find themselves on the side of Jacob Fagin, the thief and Jew at the center of the crime ring, in this take on Charles Dickens’ Oliver Twist.  

Author and U-M alum Allison Epstein, who lives in Chicago, will debut her third historical fiction novel at Literati Bookstore on Monday, March 3, at 6:30 pm. She returns to Literati after sharing her previous book, Let the Dead Bury the Dead, there as well.

The main character, Jacob Fagin, who prefers to go by his last name, takes to a life of crime like a fish to water and quickly learns the ropes. When he begins stealing, he is enamored with the opportunities that it provides:

Portals of Escape: John Counts' stories chronicle the ways the residents of “Bear County, Michigan” try to evade their realities

WRITTEN WORD PREVIEW INTERVIEW

John Counts on the left; book cover for Bear County, Michigan on the right.

Author photo by Meredith Counts.

Michigan has its unique qualities, and author John Counts infuses them into his short stories in Bear County, Michigan.

Counts takes a page from William Faulkner’s writing by centering each story within a fictional county. Set in northern Michigan, the characters hunt, work blue-collar jobs, get hooked on drugs, coexist with the wildlife, spend time on the water, and go to a nudist resort on the lake.

Counts, who is based in Whitmore Lake and a journalist and editor for MLive, will read from his new collection at Literati Bookstore on Friday, February 28, at 6:30 pm.

The short stories in Bear County, Michigan study how life deals the characters tough hands and how they react. In the story “The Hermit,” Karl loses the love of his life:

Out Loud: London Beck Tells Their Truth on "Vengeance Be Mine" Album

MUSIC INTERVIEW

London Beck sits in a chair in their home,

London Beck explores identity, growth, and heartbreak on Vengeance Be Mine. Photo courtesy of the artist.

London Beck doesn’t hesitate to share what’s on their mind.

The singer-songwriter, multi-instrumentalist, and producer sings about reclaiming their power and undergoing a personal transformation on Vengeance Be Mine.

“When I started to put together this album, this was a way for me to say … I’ve gotten to a place where if [something] is really bothering me, I’m not going to keep that secret because I’m protecting somebody else,” said Beck about their latest album, which features infectious elements of R&B, soul, house, dance, and hip-hop.

“Someone very close to me said, ‘You’re going to worry yourself to death and then you’re going to pass away. And the things that are happening that are grieving you will continue to happen whether you’re here or not. So why are we going to hold that in and keep that in?’”

Beck followed that advice after recently experiencing an illness, a vocal cord injury, and the death of their grandmother. They channeled those struggles into 17 bold tracks about identity, growth, and heartbreak on Vengeance Be Mine

U-M’s take on Aaron Sorkin’s "A Few Good Men" offers a darker touch in a superb production

THEATER & DANCE REVIEW

A long shot shot showing the full stage view of A Few Good Men.

Photo by Peter Smith Photography.

Dark, steel gray walls loom ominously as the moody setting for Aaron Sorkin’s breakthrough, lacerating portrayal of a troubled military.

Sorkin’s A Few Good Men seems like just the right play at just the right time for the University of Michigan Department of Theatre and Drama's on-point production at the Power Center.

Director Geoff Packard writes in his program notes that he began to see the play through “a different lens with a new set of images in my mind.”

“Like many of you, I find myself grappling with a complicated relationship with America today, questioning who we are, who we’ve been and where we are headed as a nation,” he writes. “The world in the play, as I read it now, is no longer the hopeful vision I once imagined. It has become grayer, darked and more monolithic.”

Friday Five: Rabbitology, John Beltran, KUZbeats, Same Eyes, Luna Pier

MUSIC REVIEW FRIDAY FIVE

Cover art for the music in Friday Five.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features folktronica by Rabbitology, disco-house by John Beltran, soundtrack grooves by KUZbeats, synth-pop by Same Eyes, and indie by Luna Pier.