An empowering quote from Bell Hooks is printed in a black serif typeface on a brown handbill-size poster card.

The statement from the late author reads, “If we give our children sound self-love, they will be able to deal with whatever life puts before them.”

That motivational proclamation is one of numerous type-driven messages hand-printed on 3,000 vibrant 8-inch-by-6-inch poster cards by Amos Paul Kennedy Jr.

The Detroit printmaker’s renowned letterpress work is featured as part of Random Thoughts on Poster Cards, an exhibit running at Eastern Michigan University through December 14.

“People give me quotes, I read things, and then I just compile a list. And depending on the mood I’m in, I print what I want to,” said Kennedy alongside fellow letterpress printer Gerald Schulze during the exhibit’s November 7 opening reception at EMU’s University Gallery.

“It’s just a matter of someone telling me something, and I’ll say, ‘Oh yeah, that would make a good poster,’ or I’ll read something and think, ‘That would make a good card,’ and then I just print them.”

The Monday Mix is an occasional roundup of compilations, live recordings, videos, podcasts, and more by Washtenaw County-associated artists, DJs, radio stations, and record labels.

This edition features sights and sounds from Leon Loft (concerts), Ann Arbor District Library (concerts), Perfect Average (music video), ImCoPav (music video), and Joseph Neely (poetry).

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features beautiful voices from the University of Michigan Men's Glee Club, chill beats from White China, white noise and bleeps from The Chillennial, remixed and realigned R&B by Skyline, and icy post-punk indie by Modern Lady Fitness.

The Monday Mix is an occasional roundup of compilations, live recordings, videos, podcasts, and more by Washtenaw County-associated artists, DJs, radio stations, and record labels.

This edition features sights and sounds from Edgefest, the Michigan Electronic Music Collective (MEMCO), Immaculate Conception, a Resonant Soundscapes concert, and a Jay Stielstra tribute.

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features indie-folk by Timothy Monger, genre-hopping by Isolation Sundaze, avant-garde torch songs by Olivia Cirisan, operatic shoegaze by Marty Gray, and screamo by Youth Novel.

Silver Linings: Celebrating the  Spelman Art Collection at the University of Michigan Museum of Art (UMMA) is an eclectic collection of 40 works of sculptures, lithographs, photographs, paintings, and a gelatin silver print. The media includes acrylic, ink, pastels, graphite, crayon, oils, metals, wood, glass, and even 24-carat gold. 

Styles and subjects vary, too. 

What unifies this exhibition is that all of the work represents Black artists and expresses feelings or thoughts about Black culture or life. 

“The exhibition came to be through decades and decades and decades of Spelman College’s commitment to collecting art by Black artists,” says Liz Andrews, Ph.D., director of the Spelman College Museum of Fine Art.  Andrews says the immediate reasons for putting together a touring exhibit, the museum’s first, are less significant than Spelman’s groundbreaking efforts over the years in prioritizing art by and about women of the African diaspora. 

Saba Keramati writes about the hopes, dreams, characteristics, and experiences that form the self but that also stir up more mysteries in her new poetry collection, Self-Mythology. 

Keramati, born in America, writes from the perspective of being an only child of political refugees, her Chinese mother and Iranian father. Her poems probe how holding many identities results in feeling not fully one of them. The first poem, “THERE IS NO OTHER WAY TO SAY THIS,” conveys the pang of these distinctions: “I have to write this poem in English / I do not speak my mother’s language / I do not speak my father’s language / I am not grateful for this country.” These circumstances and the desire to claim an identity, while at the same time chafing against the divisions of self, set the foundation for the collection that asks, “Who am I being today? / … / You’ll always be wrong, and I’ll always be / here, chameleoning myself / with every shift of the light.” 

Self-Mythology is forthright about its focus on the poet, but the poems also look outward. A series of centos, poems with all their lines borrowed from others, are sprinkled throughout the book, and each is called “Cento for Loneliness & Writer’s Block & the Fear of Never Being Enough, Despite Being Surrounded by Asian American Poets.” The third such poem contains lines like “I hold things I cannot say in my mouth—” and “There is mythology planted in my mouth which is like sin. / I cannot help but know the words.” In addition to these recurring centos, poems also reflect on attempts to learn a language, miscarriage, what it is like to be in a relationship, fire season in California, social media, astrology, and 9/11. 

Moments of revelation emerge in Self-Mythology. In “Chimera,” the speaker listens to the radio and hears lyrics conveying a thought that had earlier seemed original to the poet: 

Friday Five highlights music by Washtenaw County-associated artists and labels.

This edition features psych-rock by Cloudburst, R&B by Sam Watson, synth-pop by Same Eyes, techno-rock by Michael Skib, and dreamy balladry by Chris DuPont.

Journalists are the white blood cells of democracy, and their ability to report news and share opinions without repercussions is one of the best measures of a free society's hardiness.

The right to employ comedy and satire freely is another solid assessment of a democracy's health, and the Clements Library's online and in-person exhibition An Ungentle Art: Pat Oliphant and the American Tradition of Political Satire is a compelling reminder of illustrative journalists using humor to make a point.

The University of Michigan exhibition—produced with the Gerald R. Ford Presidential Library and Museum and loaned original art from the Wallace House Center for Journalists—ties into a multi-event program this semester on how the arts interact with presidential politics during this election year.

“I think using Clements Library materials to help people think about the democratic processes in the country, and how we have historically talked about elections is important,” says Paul Erickson, the director at Clements. 

With the release of a new friends-to-lovers romance this month, Catch and Keep, Ann Arbor author Erin Hahn completes her spicy trilogy. The novels in this series are dual point-of-view and feature couples in the same friend group. Prior installments were Built to Last and Friends Don’t Fall in Love.

The main roles in Catch and Keep go to Josiah Cole, also known as Joe, and Maren Laughlin, whom Joe calls “Jig” for her penchant for fishing. Couples Shelby & Cam and Craig (Huck) & Lorelai from the previous books of the trilogy make cameos in this third novel.

Many years after knowing each other while growing up, Maren and Joe immediately take notice when they run into each other again. The location where they reconnect is the same place where they interacted in their youth: Cole’s Landing Resort, a lakeside getaway in Wisconsin. Joe’s parents own the resort, and Joe now works and raises his kids there.

Maren grew up going to the resort and vacationed and developed her excellent fishing skills on the lake. In a flashback to an earlier visit, Maren reflects that there is, “Just … something about this place. It makes me feel right. I’m more myself here than anywhere else in the entire world.” It takes a special place to have that effect. Maren and Joe’s shared appreciation for the location becomes part of their fast-growing spark.