Madeleine Albright is the former secretary of state I’d most love to have a drink with if given the chance. I learned this after seeing her speak about her book Fascism: A Warning at the Michigan Theater on February 2. Heck, I’d love to have a drink within eavesdropping distance from Secretary Albright.
“I’m an optimist who worries a lot.” --Secretary Madeleine Albright
I almost didn’t go. I was a grump that evening. It was cold, and I didn’t want to go outside and I had a series of other minor complaints competing for space in my head. But it feels very weird to skip a talk on fascism in order to wallow in a personal pool of whininess.
The theater took extra care with security that evening so for those of us at the back of the line, closer to Division St. than the Michigan Theater, it took a while to get out of the cold. By the time I made it into the theater, Secretary Albright was already into her conversation with University of Michigan professor Juan Cole.
I sat down just in time to hear Albright argue that fascist leaders capitalize on fear, use the media, don’t respect institutions, and are full of simple solutions for issues that actually require complex approaches and attention to nuance. Punctuated by bursts of applause, she continued, stating that according to her definition, North Korea’s Kim Jong-Un is currently the only leader who fits that description. However, many others have certain fascist tendencies.
Valentines, Funny & Otherwise: The Derrick Benford Quartet will provide the soundtrack February 14 at AADL
Derrick Benford is a piano wiz who knows a thing or two about jazz. He’s been playing in the Michigan jazz scene for a while now, and this Detroit native has been involved with many groups and artists; lately, he’s been a member of the Gene Dunlap Band.
He’s also a Spirit of Detroit Award winner and has traveled across the U.S., U.K., and Asia working alongside the likes of George Clinton, Marcus Belgrave, and his brother Vassal Benford, among many others in the international jazz scene.
For his latest endeavor, the Derrick Benford Quartet, the pianist meshes jazz, hip-hop, R&B, and gospel into their own funky sound.
The quartet will be performing at AADL’s downtown library on Valentine's Day for a special show dedicated to love in all forms. I spoke to Derrick Benford about many things including his piano background, concerts at the library, his international experiences, and more.
In "The Heart Sutra," one of Buddhism's most famous texts, there's a line that's often translated as "form is emptiness and the very emptiness is form."
I don't know if this particular sutra informed Robert Spalding Newcomb's structured improvisation "Dance of the Heart," but this long-form piece revels in the sort of free-flowing ambiance that feels simultaneously disembodied and corporeal. The music is an ode to freedom and that freedom helps shape the music's form.
Newcomb is a polymath -- computer expert, software developer, yoga teacher, stringed-instrument virtuoso (guitar, sitar) -- who combines all his talents to create modern music that's rooted in ancient traditions. "Dance of the Heart" is a reflection of that unique skillset, combining electronic percussion, synths, and effects-laden guitar.
"Dance of the Heart" premiered March 13, 2018, at the Riverside Arts Center in Ypsilanti -- you can watch the high-quality video here -- with Newcomb (guitar, sitar, laptop), Ken Kozora (electronic and acoustic percussion, iPad, trumpet), and Erik Gottesman (analog synthesizers, bio-sensors with EEG/shortwave/Theremin-style gesture proximity and ribbon controllers). The trio is reuniting at Riverside Arts for another performance of "Dance of the Heart" on
Newcomb explained the concept behind "Dance of the Heart" in an email interview:
Jimi Hendrix's Experience: Jas Obrecht's "Stone Free" goes deep into the guitar great's transformative 10 months in London
The life of guitar legend Jimi Hendrix has been explored in numerous biographies and documentaries, so you could be forgiven for being skeptical as to why the world needs another book about the man widely considered to be the greatest guitarist of all time and a major influence on the sound of rock music. Jas Obrecht's new offering on the subject, however, takes a much closer look at a specific period in the life of Hendrix.
Stone Free: Jimi Hendrix in London, September 1966-June 1967 is a detailed, day by day look into the guitar great's arrival in England and his rapid rise from obscurity to fame. Obrecht's book puts into perspective just how quickly and completely Hendrix revolutionized pop music. The supporting cast is a who's who of British rock icons including The Beatles, The Rolling Stones, The Who, The Animals, and many others. I had the pleasure of sitting down for an interview with the author, who has written nearly 200 cover stories for Guitar Player and other music magazines as well as a number of books on blues and rock.
Obrecht will be reading from his new book on Thursday, February 14, 7 pm, at Literati Bookstore in Ann Arbor. Below is the conversation we had, slightly edited for flow.
The spirit of the Renaissance's Cabinets of Curiosity is alive and well and on display in the University of Michigan’s NCRC galleries through May, courtesy of a mother-and-son artist duo. Two separate exhibits, Ecological Fiction by Karen Anne Klein and Hidden Ubiquity: Celebrating the Tiny Majority by Barrett Klein, delineate and illustrate nature’s inhabitants and habitats, from the cosmic to the minute.
Telephon9 is from the birthplace of techno, which the Detroit trio blends with pop/EDM and house to create upbeat music that's full of pulsating energy.
Founder Chris Call, Jair Alexander, and Adari “BaseMODE” Perkins count Black Eyed Peas, Daft Punk, Calvin Harris, and Outkast among their influences, and all the members contribute writing, production, and vocals to Telephon9's infectious sound: when their music starts, you’re ready to dance.
Telephon9 will perform at AADL's downtown branch on Friday, February 8 at 7 pm in concert as a part of the library’s Black History Month programming. We spoke with the group about their journey from acting to music, the Ann Arbor music scene, their upcoming studio release, and more.
The Institute for Humanities at the University of Michigan launched its Year of Humanities and Environments with the exhibition Paved With Good Intentions by David Opdyke. The show consists of a full wall-sized installation of altered vintage postcards, two animated short videos, and two video channels rotating quotes by politicians. The three media serve to address similar subject matter: the current political climate in America. Climate is an operative word, as Opdyke’s work focuses in on the environment and climate change. His pieces criticize not only American culture but also inaction and stagnancy due to an unwillingness to find common ground. Using iconic, even nostalgic imagery on old postcards as a backdrop, our ideal of “America the Great” is challenged in numerous ways with Opdyke’s artistic interventions.
The gallery wall text, written by Institute for Humanities curator Amanda Krugliak, states, "David Opdyke’s installation Paved With Good Intentions up-ends any snapshots of family vacations, destination spots, and America the Beautiful still in our pockets.” Opdyke’s statement is printed below Krugliak’s and expands on the project. The massive work, titled This Land , was created with 528 postcards from “all across the United States" -- views of local and national parks, cities, rivers, bridges, lakes, landmarks, farms and wilderness -- assembled into a vast gridded landscape beset by environmental chaos.
The postcard collage creates an overall landscape, but upon close examination, there are many smaller dramas (or in this case, disasters) at play. As the grid reaches the bottom of the wall, postcards are falling in disarray, some having landed on the floor. Those that are on the floor reveal handwritten notes by their original owners, creating an eerie connection to people of the past, even as Opdyke’s overall project suggests a future plagued by increased disaster and chaos.
Earth, Water, Wind, and Fire Flow Through "Elemental: A Collection of Michigan Creative Nonfiction" edited by Anne-Marie Oomen
Can you fully know a place?
This might be a trick question. As a Michigan native, I have an intimate knowledge of the state, but there are still new things to learn about it. There are unexplored towns, myriad events, acres of forest, and miles of shoreline.
Plus, my understanding of Michigan comes from my perspective, which is one reason why I appreciated the original views and varied essays in the recently published Elemental: A Collection of Michigan Creative Nonfiction edited by Anne-Marie Oomen.
Elemental contains 24 essays, each presenting a unique angle on the state. Some are deeply rooted in Michigan places and characteristics, and others more tenuously tied to the state. All relate to an element -- earth, water, wind, fire -- present in Michigan. Elemental is a 2019 Michigan Notable Book, a Library of Michigan award for books published in the previous year.
Oomen, a writer with an essay included in Elemental, pens poetry, nonfiction, and plays. Her books include The Lake Michigan Mermaid with Linda Nemec Foster, Pulling Down the Barn, House of Fields, An American Map: Essays, Uncoded Woman, and Love, Sex and 4-H. She has also edited Looking Over My Shoulder: Reflections on the Twentieth Century. Her seven plays include Secrets of Luuce Talk Tavern. In addition to her writing, she is an instructor at the Solstice MFA at Pine Manor College and Interlochen College of Creative Arts.
Oomen will speak with a panel of authors from Elemental at Literati Bookstore on Monday, February 11, at 7 pm. The panel will include Ari L. Mokdad, Alison Swan, Michael Steinberg, and Keith Taylor. All will read and discuss Michigan literature.
Here, Oomen answers questions about Elemental, Michigan, and her writing.
It’s a beautiful thing when a play not only passes the Bechdel test with flying colors but offers an intellectually satisfying evening of theater, too.
For Theatre Nova’s production of Sarah Treem’s The How and the Why focuses entirely on the charged conversations between two women: tenured evolutionary biologist Zelda Kahn (Diane Hill) and the daughter she gave up for adoption, post-doc student Rachel Hardemann (Sayre Fox).
As they meet for the first time, Zelda’s department is preparing to host an important conference. When Rachel reveals the radical theory she’s developed concerning the “why” of human female menstruation -- that it acts as a kind of physiological defense mechanism -- Zelda offers her the chance to present her ideas at the conference. When things don’t go well, Rachel’s left to wonder: Did Zelda set her up to fail out of professional jealousy? Or did Zelda just naively give Rachel an opportunity that she and her theory weren’t quite ready for?
You might not know Sam Martin at the moment, but at the rate he's going, you will soon.
This young poet and speaker has a bright future ahead of him and he’s only getting started. I first met the young star during an event at AADL last summer in which he was an attendee. He had an eager spirit and later I was introduced to his speaking videos on YouTube. Most notably, he has done two TEDx Talks through an opportunity at Ann Arbor’s own Skyline High School. Both of these videos have together racked up thousands of views.
These days, Martin attends Washtenaw Community College and is passionate about spoken-word poetry, entrepreneurship, and sharing his thoughts and views on the world at large. He also enjoys writing and performing poetry at Neutral Zone.
Martin and several other young adult performers from Neutral Zone will present a live showcase on February 5 at AADL entitled “I Am Making History” where they will discuss their current contributions to society and black culture for Black History Month. I had an opportunity to speak with Martin regarding his TEDx Talks, his favorite black cultural figure, his inspiration behind speeches, and more.