Brazilian mandolinist Danilo Brito returns to Ann Arbor with a new album and the history of choro at his fingertips
Brazilian mandolin wizard Danilo Brito is returning to the Metro Detroit area for what now annual performances in Ann Arbor (September 1 at Kerrytown Concert House), the Detroit Institute of Arts (August 30), and the GlasSalon in the Toledo Museum of Art (August 29). Brito (mandolin and tenor guitar) will be joined by Carlos Moura (7-string guitar) and Guilherme Girardi (6-string guitar).
Brito's new album, Da Natureza das Coisas (The Nature of Things), is bookended by two important works of Heitor Villa-Lobos, closing with "Melodia Sentimental" and opening with "Chôros No. 1 (Chôro típico Brasileiro)," which was composed for guitar in 1920 in tribute to composer Ernesto Nazareth. Villa Lobos grew up among choro musicians and said that the soul of Brazilian people is found in choro. Many classical guitarists play this work, but Brazilians such as Turíbio Santos play it with a distinctive verve absent in the others. Brito takes this a step further -- arranging the work for his mandolin in the lead voice with two guitars carrying the others. The bright, clarion sound of his mandolin riding the group's Brazilian drive leaves Brito thinking that it would make Villa Lobos smile.
"Chôros No. 1 (Chôro típico Brasileiro)" sets the tone for the album which journeys through composers venerated and new. Works of Garoto and Jorge Santos are mingled with newcomers Brito, Penezzi, and Arante.
Brito's U.S. booking agency, Musica Extraordinaria, is based in Ann Arbor and its leader, Michael Grofsorean, conducted an interview with the Brazilian mandolinist. (For even more Brito, Pulp editor Christopher Porter interviewed him before his April 1, 2017, appearance in Ann Arbor.)
University of Michigan Museum of Art’s Connector Gallery frequently displays new acquisitions to the public. Recently, UMMA received four works by early 20th-century Austrian artist Egon Schiele. These four works include pencil drawings and paintings that convey the unconventional figural style for which Schiele is well-known.
Schiele’s figural works make up the majority of his oeuvre, and these gifted artworks represent his investigations into the human figure, each featuring a nude female, sometimes posed with accessories such as jewelry, stockings, or shoes.
The four pieces were donated to UMMA's permanent collection by retired University of Michigan professors Frances McSparron and the late Ernst Pulgram. These four works by Schiele represent a small portion of UMMA's collection of Austrian and German Expressionist works, many of which the professors later donated to the museum.
The best-known graffiti in Ann Arbor is in an alley off East Liberty.
But through March 29, 2020, the most important graffiti will be at the University of Michigan Kelsey Museum of Archaeology.
Graffiti As Devotion Along the Nile: El-Kurru, Sudan explores the practice of carving a picture into the walls of pyramids and temples as an act of religious ritual during the ancient Kush period, which was ruled from the capital of Meroe (300 BCE to 300 CE), a city along the Nile that's around 100 miles north of modern-day Khartoum. The exhibition displays a series of graffiti discovered during a Kelsey Museum archaeological field project on a pyramid and in an underground temple at the site of El-Kurru.
Co-curator Geoff Emberling -- an associate research scientist at the Kelsey Museum and co-director of the International Kurru Archaeological Project -- says the graffiti includes Kush symbols such as the ram, which represents the local form of the god Amun, and a long-legged bowman who symbolized Kushite prowess in archery. There are also intricate textile designs, as well as animals: horses, birds, camels, and giraffes. A press release states: "The most common marks are small round holes gouged in the stone -- by analogy with modern practices, these are likely the areas where temple visitors scraped the wall of the holy place in order to collect powdered stone that they would ingest to promote fertility and healing."
But False Figures’ sound is anything but fake. The band is low-fi and low-profile (their social media presence is limited), creating a soulful, warm sort of Americana music that sounds like it might be played by friends around a campfire.
The core band has mostly consisted of Jim Cherewick, vocals, guitar, harmonica, and violin; Joel Parkkila, vocals, guitar and more; and Jason Lymangrover, bass and guitar. More recently, Stefan Krstovic has joined the band as the regular drummer. All the members have experience in other local bands including Human Skull, Best Exes, Congress, and Hydropark.
Their self-titled debut album is an accessible, engaging listen. The no-frills sound is well suited to the songs, which tend to be short and to the point -- one highlight on the album, “Matchbox,” gets the job done in just over a minute and a half. There’s a thoughtfulness to the lyrics, though, especially in songs like “Stay On” and “Out of Time.”
A second album is already in the works. And although the band has been primarily a studio project, they will play a live date at Ziggy’s in Ypsilanti on Wednesday, August 28 with Simon Joyner, Raw Honey, and Idle Ray. The show is being produced by Fred Thomas' Life Like Tapes.
The band recently agreed to answer a few questions via email.
Befitting an exhibition made up of works from 18 of its teachers, The Instructor Show at the Ann Arbor Art Center offers a diverse range of media, including painting, sculpture, jewelry, printmaking, drawing, fiber arts, and encaustic. The exhibit is a fine display of the talent behind the multitude of programs, events, and classes the Art Center offers.
Jennifer Belair-Sakarian is an artist who was raised and educated in the Midwest. Her works often center on stream of consciousness, featuring imagery related to natural environments, relationships, and human emotions. Belair-Sakarian employs collage, printmaking, painting, and drawing in her practice. Two works in the gallery represent the range of media in her repertoire, including a mixed-media monoprint and a watercolor with gloss gel medium. Belair-Sakarian is inspired by moments from everyday life, where she later synthesizes real and imagined spaces into her visual work.
A round-up of arts and culture stories featuring people, places, and things in Washtenaw County, whether they're just passing through or Townies for life. Coverage includes music, visual art, film & video, theater & dance, written word, and Pulp life (food, fairs, and more). If you're reading this in the future and a story link is dead, look up the URL on web.archive.org; we've cached every post there.
This is the vacation-catch-up edition of Pulp Bits, so we have links going back to late June -- a true smorgasbord of culture news. Feast!
Kyle Hunter knows the power of music and songwriting in his life. He’s a rapper, DJ, and creative who likes to write in some form every day. To him, “not writing would be equal to not drinking water. If you don’t drink water, bad things are just gonna happen.” His creativity feeds his existence and adds balance in his life.
In 2005, a teenage Hunter began developing his musical skills as an MC under the name G.eneral P.opulation, or GenPop, and he became a notable member of Tree City, which was also formed at the Neutral Zone. The group has been absent for a decade but is now planning to release an album later this year entitled PURE LEVELS. During Tree City’s hiatus, Hunter and the other members of the music collective performed and released solo projects, and more solo recordings are in the works for this year. He also worked with the Branch Out Collective, which consisted of Tree City and the group Celsius Electronics.
Some may even know him under the alias DJ Silas Green, spinning or creating music that touches on hip-hop, funk, ambient, and noise. He has a biweekly residency, Big Mood Mondaze, at 734 Brewing Company in Ypsilanti, and he's spun at Ziggy's, Elks Lounge, and at Circ Bar as part of Shigeto's ongoing Ann Arbor Trax Authority night.
I spoke with Hunter about Ann Arbor as a hip-hop hub, the impact of the Neutral Zone, his musical influences outside of hip-hop, and Tree City’s plans for the future.
Pure Romance: Author and Wolverine State Brewing Company co-founder Liz Crowe brewed up some Summer Lovin’
The news is often negative -- sad stories that offer little hope, let alone a happily-ever-after ending. Maybe that’s one of the reasons that one of the top-selling genres of fiction books is romance, thanks to devoted readers who can’t get enough of their favorite heroines and heroes falling in love. On Saturday, August 17, Ann Arborites have the chance to hear not one but four local romance authors read from their books at the Summer Lovin’ Romance Author Panel at Nicola's Books.
According to organizer Liz Crowe, the event came about when August 17 was declared Bookstore Romance Day, “a day that was set aside to honor independent bookstores who appreciate the romance genre.”
After she learned of the date, Crowe contacted Nicola’s, which “responded enthusiastically.” That led to meetings about creating an event to honor the day. Crowe reached out to M.K. Schiller, the president of the Greater Detroit chapter of Romance Writers of America. Through her, Crowe reached authors Dana Nussio, Elizabeth Heiter, and Beverly Jenkins. “It’s a diverse mix of authors,” Crowe says. “They write about everything from romantic suspense to addiction recovery to the post-Civil War South.”
Through chapters alternating between characters’ perspectives, Michigan writer Caitlin Horrocks’ new novel, The Vexations, narrates the life of not just composer and pianist Erik Satie but also the lives of his sister and brother, Louise and Conrad, and the people in their lives. The siblings’ experiences diverge as they are raised with different family members and pursue their unique interests and desires. Hardship, pain, and loss mark their pursuits, yet, true to history and especially for Erik, they find success, too.
Originally from Ann Arbor, Horrocks lives in Grand Rapids, Michigan, and teaches at Grand Valley State University. She will read at Literati Bookstore on Monday, August 19, at 7 pm. She answered some questions for Pulp here.
It’s most inconsiderate of me, barging into Encore Records' new Kerrytown location mid-afternoon on moving day. Staff members labor over empty wooden racks, loading in and alphabetizing the thousands of vinyl LPs trucked over from their former Liberty Street store. A few have been at it since early morning, but all of them have been working overtime for weeks to make this move happen, and co-owner Jim Dwyer takes a break from the action to stand among file boxes and a pile of computer equipment and entertain my questions.
“There’s still a lot to do here, too,” he says. “We’re just unpacking records today, but we don’t have any CD shelves set and I’ve got to put my office together so I can do this month’s sales tax report that’s due in a week. It’s been weird, running a business that’s moving. It’s really like having two or three jobs.”
While proprietors have come and gone, the building at 417 East Liberty has housed a record store continuously for over 50 years. Dwyer and co-owner Bill McClelland are only the latest in a long line of music enthusiasts to keep the vinyl fires burning in that spot. As it turns out, they are also the last. The building’s ownership passed on to new landlords last year, and their vagueness about an upcoming lease renewal convinced the Encore partners that it was time to move, and quick.