The folk-music duo Gemini has been a vital part of the Ann Arbor music scene for more than 45 years.
Twin brothers San and Laz Slomovits started singing together with their cantor father in their native Hungary when they were very young and started learning instruments at age 7. They continued performing as the family moved to Israel and then the U.S., but things really took off after the brothers formed a folk duo post-college and then moved to Ann Arbor in 1973. For decades they’ve been known for their beautiful harmonies, multi-instrumental talents, and original songs, particularly for youth and family audiences, throughout Michigan and beyond.
Now, the twins are turning 70 and their music is still going strong. They’re planning a “140th Birthday Celebration” on Jan. 3 at The Ark, where the duo has performed countless times over the years. A number of special guests will join the brothers, and the concert will be recorded for possible release. Proceeds will benefit The Ark, where former leaders Dave and Linda Siglin and others have supported Gemini for decades.
“We literally can’t imagine what our music and career would have been like without them. This is a small gesture of gratitude on our part,” the brothers agreed. They answered a few questions about the concert and their career for Pulp.
Jessica Care Moore and Ursula Rucker are rockstars.
Google that shit.
On December 11 at the University of Michigan’s Trotter Multicultural Center in conjunction with the Department of Afroamerican and African Studies hosted Jessica Care Moore and Ursula Rucker for an hour-long discussion titled "Herstory: Hip Hop and Poetry."
Moore, a Detroit native, is most noted for her five straight victories at the "Showtime at the Apollo” competition as well as her publishing company Black Moore Press and her numerous books of poetry.
Rucker, who hails from Philadelphia, has released six albums of her poetry and has collaborated with many well-known hip-hop acts including fellow Philadelphians the Roots.
On Tuesday the women were resplendent. Moore sported a high-crowned red fedora and a colorful denim jacket adorned with an image of the late Ntozake Shange (Google that shit). Rucker had her hair pulled back and her face framed with black cats-eye glasses. Both women were performance-ready and engaged the audience with their own poetry and, perhaps most importantly, historical perspective.
Isaac Levine is a restless creator and organizer. Whether it's fighting against unsustainable development, booking DIY shows at houses and small venues, or making music in numerous bands and solo projects, this Washtenaw County resident's proactive drive is admirable.
Levine's latest recording is the guitar-centric A Death So Obsessed With Living, which is his third album in the past 365 days, following May's auto-chord organ LP Cloudpleasers under his own name and last December's Pee on These Hands with one of his bands, The Platonic Boyfriends.
A Death So Obsessed With Living was recorded in November by Spencer Tweedy, son of Jeff and a member of his dad's band, Wilco. We talked to the Levine about the story behind recording the new album, the themes on his last two LPs, and the pros and cons of living in Ann Arbor.
Isaak Levine + Friends celebrate their record release with a concert at Unity Vibration in Ypsilanti on Friday, December 21.
Proof: The Ryoichi Excavations presents artist Patrick Nagatani’s series of staged, minutely detailed photographs of fictional archeological excavations. The University of Michigan University of Art's exhibition announcement summarizes the content of the exhibit, in which Nagatani uses photographs to present “artifacts” from the life of Nagatani’s alter ego, an explorer named Ryoichi:
Nagatani presents a narrative of Ryoichi’s archeological work, supported by images of excavation sites, unearthed artifacts, and Ryoichi’s own journal pages. According to the photographs, Ryoichi discovered evidence of an automobile culture buried at sites across several continents: Stonehenge, the Grand Canyon, and a necropolis in China.
The photographs represent the various facets of the Ryoichi Excavations project, with photographs of journal pages in Japanese, video stills, photographic representations of the excavations, and curatorial wall text explaining the contents of the images. Some of these are displayed in standing glass cases in addition to the gallery walls. Nagatani’s dedication to creating a playful illusion of an archaeological project questions the assumption that photography is a means to convey unaltered, factual images.
In June 1990, newly freed political prisoner Nelson Mandela made his way to the United States and eventually to Detroit. Mandela toured the Ford Rouge Plant and UAW President Owen Bieber made him an honorary lifetime member of the union -- experiences and honors that are uniquely Detroit. Mandela’s visit culminated in him addressing a standing room only crowd at Tiger Stadium. But before Mandela spoke, two local rappers, Kaos and Mystro, took the stage and performed in front of the 49,000 people in attendance.
For many in Detroit’s hip-hop community, including Khary Frazier, this was a seminal moment in the development of the D’s niche hip-hop scene.
It was stories like this that dotted the December 4 conversation between Khary Frazier, Jamall Bufford, and Sterling Toles on the U of M campus. The three gathered this past Tuesday in the Dana Building to discuss the "History and Future of Detroit Hip Hop" -- a scene that all the panel participants have had a hand in shaping.
Candace Compton Pappas' paintings evoke the dirt at dusk, the soil at sunset, and trees in the bleak mid-winter.
You can view these earthen works at Ann Arbor's Cafe Zola through the end of December, but you might have to lean over someone scarfing some smoked salmon bruschetta for a closer look.
It can be tricky to navigate this frequently full restaurant to get a close view of Pappas' paintings and truly appreciate their moody evocations, but she doesn't seem worried.
"Customers can figure out how to view the work amidst the coming and going of diners," said the artist, who lives in Chelsea, Michigan. "Cafe Zola is open from 7 am to 10 pm every day -- so lots of quiet times to enjoy without the high volume of lunch or dinner."
Plus, it's not the first time Pappas has shown her work at the 112 W. Washington St. restaurant.
UMGASS is back this weekend with the last of Gilbert & Sullivan's 14 operettas: The Grand Duke. Originally set about a hundred years before its 1896 debut, UMGASS has gently updated the setting and costumes to about a hundred years ago, in 1907.
Directed by David Andrews and starring a cast of UMGASS regulars along with some fresh faces, The Grand Duke features a play-within-a-play (with a clever, unique twist for true G&S Fans) and the wish-fulfillment theme of a theater company bending the aristocracy to their will through the power of their production (with some help from archaic statutes).
Three years ago, I nervously walked on a warmly lit stage as the last performer, and only freshman, in Poetry Night in Ann Arbor. An annual tradition that returns Dec. 15 at the Mendelssohn Theater, Poetry Night is an outstanding opportunity for teen poets to bleed part of their written body out into the world.
The structure of this event was refined recently by the new Neutral Zone Literary Arts Director, Molly Raynor. What once was a mass performance of youths ranging from beginners to seasoned poets is now a nurturing and intimate evening of some of the best performers Ann Arbor has to offer.
A friend of mine once almost gleefully described her hometown as having a great shop for all her foodie needs. A place to get cheese. A butcher with local meats. A restaurant selling pies. All nearby and not big-box stores. I thought of her joy in this collection of local businesses when I first encountered Sister Pie: The Recipes and Stories of a Big-Hearted Bakery in Detroit, a new cookbook by Lisa Ludwinski based on her bakery of the same name, Sister Pie. Ludwinski started the business in 2012 in her parents’ kitchen in Milford, Michigan, and joins the many excellent establishments in the Detroit area that provide baked goods.
But not just any baked goods.
Director Daniel Cantor finds a great deal of modern relevance in Shakespeare’s comedy Twelfth Night, or What You Will. The nature of the human soul, the roots of romantic attraction, and the power of disguise are among its timeless themes, played out through a plot that involves a gender-bending love triangle.