This story was originally published June 6, 2019, just before Bob Seger brought his farewell tour to Michigan. We're rerunning it because another Seger-related event is happening on June 26, 2022 from 3 pm to 4:30 pm at the Ann Arbor District Library's downtown location:

"Turn the Page: The Bob Seger Story with Edward Sarkis Balian"

Dr. Edward Sarkis Balian grew up in Detroit and was in a local band at the same time that Bob Seger was breaking into the music business during the tumultuous 1960s. Dr. Balian’s association has continued with Mr. Seger, as they have both shared the same entertainment attorney for over 40 years. In this interactive presentation, Dr. Balian answers questions in-depth, discusses video highlights of Seger's career, and shares many facets of Seger's personal and professional life.

Shutta Crum worked for 24 years surrounded by books.

Now the former librarian at Ann Arbor District Library is adding to the stacks she used to stock, writing both children’s books and poetry.

When asked how librarianship connects with writing, Crum talked about how the job motivated her to become an author. “I knew I wanted a book of mine on those library shelves,” she said.

Crum's latest collection of poems, The Way to the River, navigates real and metaphorical waters, from looking for osprey where “Rainwater pelts river water” to recalling tumultuous moments when the poet asks someone terrorizing her, “what door you jimmied / to escape and machete through my memory.” The ever-present passage of time surges through these lines as Crum looks back and ahead. 

The Way to the River begins with the reflection “Why Poetry,” which shares a preface by Crum and her poems, “Aboutness” and “How Poetry Reframes the Moment.” Her depiction of poetry tells us, “Poems are mini stories, fleeting images, quick gestures of recognition and a lilt of music for the soul,” a statement that also aptly describes her poetry. The following poems in the book form the “colorful collage” that Crum sees in poetry. 

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features post-punk pop by Modern Lady Fitness, rockabilly-tinged punk by Thomas Gun, pop-funk by Dave Menzo, bedroom balladry by Mark Zhu, and home-schooled hip-hop by Jeevan Angelo.

Cece Duran was born and raised in Barcelona, where she is currently spending her summer.

But it's in Ann Arbor where she's building her name as a singer-songwriter under the guise Cece June.

In 2021, June released an EP, Pieces, shot a video for the single "Mine," and played shows at venues in downtown Ann Arbor, and the University of Michigan’s annual Springfest.

June is back with a new single, “Over," which she made with friends from U-M. While the sadder side of Spanish folk music courses through June's songs, she also cites England's Radiohead, Ireland's Damien Rice, and America's Bon Iver—no strangers to melancholy melodies—as influences.

We caught up with June to discuss her acoustic-and-electronics single "Over," the influence of fine art on her music, and her future.

Ceolsige just wants to introduce herself.

“Right now, with my music, all I’m trying to do is just let people know who I am," said Ann Arbor indie-rock singer-songwriter Kelsey Detering, who just released her debut EP under the artist moniker Ceolsige (pronounced see-ole-sidge), the old English variant of her first name.

"Especially, with this EP, I’m not trying to give any specific take on myself or anything. This is a taste of everything about me in one little package. I’m giving people that so they’ll know who I am as an artist. ‘Ceolsige’ is still me, that’s why I chose it. I don’t overthink my identity that much; I just do what feels right.”

Ceolsige eagerly follows her instincts across four honest, mighty tracks that question life, love, and society. The self-titled EP’s introspective lyrics, vigorous instrumentation, and arena-sized arrangements invite listeners to reflect and travel alongside her.

“What comes across a lot of my music right now is uncertainty … because of the age I’m at and time going by. I’m like, ‘OK, what’s gonna happen in my life? Am I gonna meet someone? Am I gonna enjoy things? Are we gonna fix this broken world? Are we going to improve things?” said Detering, a University of Michigan alumna and Ann Arbor School of Rock vocal/piano instructor.

“That gets played up more in people’s minds now, especially because uncertainty in life is heightened everywhere and all the time. I’ve picked up even more on that now.”

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features techno-trance-Latin-world jams by John Beltran and friends, gospel-folk by Lorian Janine, country-tinged folk-rock by Linen Ray, downtempo electronica remixes by Rohn - Lederman, and crisp guitar pop by Ceolsige.

Before social media became the defacto visual archives of our times, newspapers employed a full complement of photographs to capture breaking news and everyday occurrences. It was through their lenses that history was recorded, from the significant to the mundane, with the photographers mixing a fine artist's attention to framing and detail along with a documentarian's eye and mentality toward preserving a fleeting moment for eternity.

Doug Fulton worked as a photographer and writer for The Ann Arbor News from 1954 to 1983. While he was a prolific photographic chronicler of our community—from Chrismas cookie making, neighborhood parades, and blues and rock concerts to structure fires, winter storms, and University of Michigan sporting events—he's also remembered for his column covering Michigan nature, parks, hunting, fishing, and the environment, which he illustrated with his photos.

The Ann Arbor District Library is the home for The Ann Arbor News' archives, and the Old News team at AADL culled through thousands of images to curate a new exhibit:

Capturing an Era: The Progressive Lens of Doug Fulton. 

The exhibition is displayed on the second floor of AADL's downtown location from June 10 to September 5, and it features numerous Fulton photos and articles from throughout his 29-year-career at The Ann Arbor News. Additionally, two walls in the exhibit feature blues and nature photos provided to the library by Fulton's daughter Andrea and son Bruce.

You can read more about the exhibit and Fulton's life here, and you can browse all the photos in AADL's Old News archives here.

Then come back to Pulp and read my interview below with Andrea Fulton-Higgins about her father's background, how he came to learn photography in the Air Force, and his love of music and nature.

If you've been to a concert in Washtenaw County in the past 30 years, there's a good chance Doug Coombe was at one of them.

From Ypsilanti basement shows to Hill Auditorium and everywhere around Southeastern Michigan, the long-time Ann Arbor record-store clerk turned first-call photographer has documented local and touring artists of all genres with an exacting eye and an unrelenting passion for music.

The genial Coombe's dynamic concert photos are like energy traps, capturing the exact moment a performer has exploded with passion, while his promotional and journalistic musician photos present bands in creative environments that convey their sounds and attitudes through the images.

Coombe loves what he does and the musicians love him right back. You can actually tell the artists like to be photographed by Coombe just by looking at his pictures.

For real: Everybody likes Doug.

CultureVerse is a new-ish gallery space in downtown Ann Arbor and its latest exhibit, Last Night a Camera Saved My Life: The Photography of Doug Coombe, is a love letter not only to the Washtenaw County and Southeast Michigan music scenes but also to the man who captured these small, fleeting moments for all of eternity. 

Friday Five highlights music by Washtenaw County-associated artists and labels.

This week features worldly jazz by Vornhagen & Kaufman, ambient by Fred Moises, folk by Mary Collins, techno by No Author, and experimental jazz by Marc Hannaford.

Resident Advisor, one of the most important websites covering electronic music, previewed Interdimensional Transmissions' annual No Way Back event as "the kind of party that can change your life if you let it."

Reading that, you might scoff, roll your eyes, and chalk it up as hyperbole.

That is until you go and experience the transformative power of No Way Back yourself, as I did on Sunday, May 26, at Detroit's Tangent Gallery.

No more scoffing.