Valencia Robin’s new poetry collection, Ridiculous Light, spans time, space, and seasons -- from Milwaukee in the 1960s to Ann Arbor -- and offers moments of distinct observations. The speaker invites readers into specific recollections and, within them, shares not just what happened but vivid descriptions and sublime reflections on the natural world, people, identity, and experiences. 

A poet and painter, Robin is one of the founding members of GalleryDAAS at the University of Michigan. She now lives in Charlottesville, Virginia. 

She will return to Ann Arbor to read at Literati Bookstore on Friday, August 16, at 7 pm, and Pulp interviewed her before her visit. 

Despite what Shakespeare wrote, sometimes the good that men do lives on after them -- especially when that good includes a multibillionaire family fund that continues to do charitable works decades after the founder has passed away, which is the case with Charles Stewart Mott, the subject of a new book by Edward Renehan.

A former publishing executive, Renehan has written over 20 books including historical nonfiction for children and biographies of Pete Seeger and John Burroughs. Published by University of Michigan Press, The Life of Charles Stewart Mott came about because of a query Renehan received from the Ruth Mott Foundation, the foundation started by C. S. Mott’s late wife. “[They] asked if I would be interested in doing a book on C.S., as he was known. I did some research and realized what an incredibly fascinating individual he was. This is a man who was born 10 years after Abraham Lincoln was assassinated and died two years before the founding of Microsoft.”

Mott earned a degree in mechanical engineering and “participated in the market economy and industrial expansion in a big way,” Renehan says. “He was one of the truly great innovators of the auto industry, along with his peers like Alfred Sloan, Charles Kettering, and Pierre DuPont.”

This summer's Gifts of Art at the University of Michigan Hospital, on display through September 6, features the works of a multitude of local and non-local artists in nine gallery spaces that offer multi-media artworks and a historical display by the Yankee Air Museum.

The Gifts of Art program's rotating gallery spaces benefit patients, artists, the hospital system, and the community. These public galleries are at the center of a thriving medical community and “are viewed by approximately 10,000 people each day,” making them “some of the most widely visited indoor, non-museum exhibit spaces in Michigan,” according to Gifts of Art.

Though art might not be the top priority of many hospital-goers, these spaces offer a meditative and even comforting environment -- such as through artist Kate Lebowsky's plush dolls that are currently on display -- amidst an often-chaotic landscape.

This story was originally published on May 3, 2018.

Dr. Irene Butter’s entire life has been dedicated to caring for others -- as a professor, a humanitarian, a storyteller. While serving as a professor of public health at the University of Michigan, Butter spent 30 years visiting schoolchildren to tell them her tale.

"I found out that the way students relate to me is that they have experiences in their own lives when they lost a parent or grandparent or their parents divorced or suffered illnesses … they really identify with my stories and that is what is rewarding to me."

And what a story it is, now in print: Shores Beyond Shores: From Holocaust to Hope, My True Story. (Butter will be at the Ann Arbor District Library's downtown branch on May 8.)

This story was originally published on June 11, 2018.

What if Cliff's Notes had Cliff's Notes?

Mya Gosling's Good Tickle Brain is a web-based comics series that reduce Shakespeare's works to three panels. Named after a Falstaff line from Act 2, Scene 4 of Henry IV Part 1 -- "Peace, good pint-pot. Peace, good tickle-brain" -- Gosling's stick-figure interpretations of ol' Will's works have garnered acclaim across the web for their wit, particularly her "Which Shakespeare Play Should I See?" flowchart, which has allowed her to transition from being a library cataloger to a full-time comic artist.

Gosling has expanded her focus to include Keep Calm and Muslim On, written by her friend Andrea Annaba, and Sketchy Beta, the world's only rock-climbing comic strip, as well as three-panel interpretations of many other plays and movies. But the website's namesake Shakespeare strip is when I first discovered Gosling's work during last year's Ann Arbor Comic Arts Festival (A2CAF). My kids fell in love with her The Complete Works of Shakespeare in Three Panels book, which inspired them to go on and dive deep into the Bard's full catalog of plays as well as the film and graphic novel versions.

Gosling will be at this year's A2CAF festival June 16 & 17 at the downtown branch of the Ann Arbor District Library, and I emailed with her about all things three-panel Shakespeare.

This story was originally published on September 12, 2018.

How do obligations and desires compete in our lives?

Three generations of characters, family, and friends grapple with those two often opposing components in Number One Chinese Restaurant, the debut novel by Lillian Li.

Li presents a broad cast, ranging from restaurant staff to the family members who own the Beijing Duck House. In fact, the family tree -- or rather the map of characters -- is on the inside cover of the book, which proves quite useful when reading. (You can have your book signed by Li at Nicola’s Books on September 20 at 7 pm.)

The Ann Arbor-based Li teaches at the University of Michigan and works at Literati Bookstore. She earned her MFA from the University of Michigan and is originally from the D.C. metro area. 

This story was originally published on April 25, 2019.

R.J. Fox doesn’t wait around for something to happen -- the Ann Arbor author goes out and creates his own opportunities.

Filmmaker Heidi Philipsen likewise makes things happen for herself. So perhaps it is kismet that these two talented and hardworking artists found each other and are making art together as they turn Fox’s book Love & Vodka into an independent film. 

Fox knew he wanted to be involved in filmmaking since he was in high school, and he currently teaches English and video production at Huron High School. “Everyone tells you that the odds are stacked against you, that it’s like making it to the NBA … so you have to have a mindset that you will find a way and get your work in the right hands of someone who wants to make your movie.”

Fox knew he found that person when he met Philipsen.

Downloads: ➥ MP3 for "Echolocation" ➥ 720p video, 480p video or 240p video

This story was originally published on January 26, 2017. Thomas has since moved back to Ann Arbor and has released several more recordings. Check out the entire Tools Crew Live series here.

Fred Thomas is like a library. The Ann Arbor-raised musician has lent his talents to approximately one billion recordings, from his own to his friends' and the many bands who have hired him to produce their records.

When the Montreal-based artist lived in Tree Town, the Ann Arbor District Library frequently lent Thomas assets from its Music Tools collection when he recorded his numerous solo records or those of his various bands, including Saturday Looks Good to Me and Hydropark.

So, when Pulp and the Music Tools crew decided to record musicians performing with instruments from the collection, Thomas was the perfect person to launch the video series: Tools Crew Live. Thomas was back in Ann Arbor over the winter break, and on December 15, 2016, he came to the library’s Secret Lab makerspace and recorded “Echolocation” (from his new record, Changer) and “Cops Don’t Care Pt. II" (from 2015’s All Are Saved), using six instruments from the collection, including synths, effects pedals, and a guitar.

We also interviewed Thomas about his instrument choices and his amazing new album. Changer combines all the elements of Thomas' past work -- raw emotional insights, indie-rock stompers, and electronic evocations -- and manages to be the most personal and cohesive record of his long and creative career.

This story was originally published on November 8, 2018.

Jamall Bufford is one of the most influential hip-hop artists from Ann Arbor. He has influenced many MCs in town with his quick wit, lyrical wordplay, and open-minded stances on social issues.

Previously known as Buff1, he rhymed with the hip-hop collective Athletic Mic League and later helped start the performing arts group The Black Opera. For those unfamiliar with this hometown gem, The Black Opera calls itself "rap’s first performing arts group" and the duo dress as different characters each song during their live shows. Bufford is also a solo artist and his latest album, Time In Between Thoughts, continues in pushing past the typical boundaries in usual hip-hop subject matter by exploring themes like colorism and the dangers of social media.

Bufford, who has performed with Eminem and Mos Def, performs at the Ann Arbor District Library's downtown branch on Friday, November 16, at 7 pm along with fellow A2 hip-hop artist DaG. We talked to Bufford about how Ann Arbor has influenced him as an MC, whether he’s an activist, and more.

Joanna Ransdell's voice is an audible red light that commands you to stop whatever you were doing and just listen to her sing.

This story was originally published on April 23, 2018.

The 28-year-old Ypsilanti resident's gorgeous vox is dark but mellifluous, swinging from the edge of vulnerability to the side of quietly defiant, using slight inflections and lyrical twists to tell her relatable stories. Ransdell's timbre is located in the Stevie Nicks / Natalie Merchant / Patty Griffin solar system -- a full, pure, powerful projection of beauty injected deep into the universe and straight into all your feels.

The Ann Arbor-raised, Community High School-graduating Ransdell recently released The Open Sea Before Me, her debut album with Joanna & the Jaywalkers. The record is filled with lovely, low-key chamber-folk pop and it's quite a bit different from Ransdell's 2014 solo LP, Open Fire, which fits squarely in the piano-centric lineage of Tori Amos, Fiona Apple, and Regina Spector.