The buzz around Brit(tany) Bennett's debut The Mothers* * * is hard to ignore. Vogue and The Washington Post are not alone in their over-the-moon praises, so richly deserved.

A wise and sad coming-of-age story set largely in Oceanside, CA, it is about the tangled destinies of three teens growing up in a tight-knit African-American community. 17 year-old Nadia Turner, smart, pretty, and ambitious is getting out - with a full ride to Michigan, away from her silent father, and away from the grief of losing her mother to suicide; but not before she realizes she is pregnant by the pastor's son, Luke. Her decision to abort creates a web of secrets that will haunt them for decades to come.

Years later when Nadia, now a successful attorney returns home to care for her ailing father, her reunion with Luke threatens his marriage to Aubrey, Nadia's childhood friend as well as the peace of their church community.

Narrated by Nadia and a Greek chorus of gossipy 'Mothers' from the local Upper Room Chapel, who "(f)ar from reliably offering love, protection, and care,...cause all the trouble." -Kirkus Reviews

"There’s much blame to go around, and Bennett distributes it equally. But she also shows an extraordinary compassion for her flawed characters." -Publishers Weekly

* * * = 3 starred reviews

Writer/journalist Kevin Smokler grew up watching ‘80s teen movies in Ann Arbor, and he’ll be doing that again in the coming weeks, since the release of his new book, Brat Pack America: Visiting Cult Movies of the ‘80s, inspired the Michigan Theater’s fall film series, "Kids in America: '80s Teen Classics" which kicks off on Monday, October 10 with a double feature: Ferris Bueller’s Day Off at 7 pm and The Breakfast Club at 9:30. Smokler will be in attendance, as will director John Hughes’ son, James Hughes, and both will offer their insights about the films.

“I knew I wanted to write about the movies I grew up with, but I knew I had to find something else to say about them,” said Smokler, a Greenhills School grad who now lives in San Francisco.

As Smokler started revisiting beloved movies from his youth, he noticed that they were consistently set in places that weren’t Los Angeles or New York City, but rather fictional towns like Shermer, Illinois, or the suburbs of the San Fernando Valley, or the Midwestern city of Chicago. Locations played a key role in these films, so in addition to talking to actors, writers, and directors, Smokler went on ‘80s teen movie pilgrimages to Goonies Day in Astoria, Oregon, a Lost Boys Tour in Santa Cruz, California and more.

Fittingly, Smokler views the book as a “giant Trapper Keeper of trivia” about these movies, and one of the interviews he most anticipated was with director Amy Heckerling (Fast Times at Ridgemont High, Clueless). “She’s responsible for two of the most important teen movies of all time,” said Smokler. “I was pretty worried about what I could ask her without collapsing into a Spicoli/Cher Horowitz quote-a-thon, which I’m sure she’s heard a thousand times and didn’t need me wasting her time with.”

Of course, watching movies you loved as a kid when you’re an adult can sometimes be a sobering experience, and not everything held up well. “I’d liked Adventures in Babysitting, and that might have been because I had a crush on Elizabeth Shue, or because we would sometimes drive to Chicago for a Blackhawks game, but God, is that an appallingly racist movie,” said Smokler. “ … And The Outsiders is still a good movie. It’s just beneath the skill level of a director like (Francis Ford) Coppola. S.E. Hinton, at 17, somehow wrote a book that’s more cogent and stronger thann Coppola could make it as a movie at 40. I just think the movie coasts on the collective talent of the people who made it.”

Some movies, though, hold up or even improve when viewed from adulthood. For Smokler, this category included Fame and the Matthew Broderick teen tech drama, WarGames. “WarGames is surprisingly sophisticated for what is a political thriller, more in the tradition of The Parallax View,” said Smokler. “It also has a great cast. There’s something special about that, too.”

But you can’t write about ‘80s teen movies without discussing director John Hughes (Ferris Bueller’s Day Off, Pretty in Pink, 16 Candles, The Breakfast Club). “He did not stretch himself much,” said Smokler. “He was a miniaturist of sorts. He was a vertical filmmaker, in that he drilled down on what he did very deeply. … A journalist friend of mine had gone to a gifted and talented school for black teens in Bethesda, and he loved The Breakfast Club, but he was also aware that this was a white person’s fantasy. The same with Star Wars. … The thing that’s so complex about Hughes’ legacy is that he painted with a small palette of colors but his stories registered as universal. It’s both an achievement and troubling at the same time.”

While working on the book, Smokler watched more than 50 films (about 40 get discussed in Brat Pack America), at the pace of usually 4-5 a week. Once Smokler defined what made something a “teen” movie, he also determined where the film era started (Breaking Away).

“Heathers is the movie that literally blows up the genre,” said Smokler. “It’s designed as a satire of the genre, and that how you know that a genre’s time has passed. … Heathers predicts grunge and Quinten Tarantino and feel more ‘90s than it does ‘80s.”

But Smokler believes that the cinematic family line from ‘80s teen movies continues in the form of movie adaptations of John Green’s work (The Fault in our Stars, Paper Towns), The Perks of Being a Wallflower, Superbad, Me & Earl & the Dying Girl and more.

Even so, Smokler’s book invites readers to take another, closer look at the originals, which will be all the easier due to the Michigan Theater’s series, which includes Pretty in Pink, Adventures in Babysitting, The Lost Boys, Say Anything, Back to the Future, Fast Times at Ridgemont High and WarGames.

“I didn’t have as big of an idea as they did,” said Smokler, referring to the Michigan Theater’s staff. “ … I’d dropped Russ (Collins, Michigan Theater executive director and CEO) a note saying, ‘I’ve got a book coming out, and I’m from Ann Arbor.’ And he said, ‘We don’t have an idea yet for a fall film series.’ … At age 7, I sat in that theater’s balcony and watched things like, The Wizard of Oz. It’s the fulfillment of a dream to appear at the Michigan now as a working artist.”

Jenn McKee is a former staff arts reporter for The Ann Arbor News, where she primarily covered theater and film events, and also wrote general features and occasional articles on books and music.

Michigan Theater’s fall film series, "Kids in America: '80s Teen Classics" runs through December 8.

Fresh off his appearance at this year’s TEDxDetroit conference, prolific graphic designer (and Michigan native!) Aaron James Draplin will be bringing his powerhouse personality to the downtown Ann Arbor District Library on Friday, October 7, for a special mid-day talk that will start at 12:30pm.

Draplin’s passion for creating “good work for good people” combined with his bold independence is infectious and inspiring. You may have seen his work in any variety of short videos posted in recent years, like this logo design challenge (Vectors are free!), or his Skillshare classes, or his fantastic critiques of signage and design.

Based in Portland, Oregon, Aaron has been the sole proprietor of the Draplin Design Company since 2004. His clients range the full gamut from friends selling hot dogs (Cobra Dogs), Nike, Burton Snowboards, Esquire, Red Wing, Ford Motor Company, and the U.S. Government / Obama administration’s 2009 American Recovery and Reinvestment Act and the USDOT TIGER program.

In addition to his client work, he has generated a massive amount of “merch” in his personal projects including retro-inspired Space Shuttle posters, “thick lines” posters, and “Things We Love” State posters. His collaboration with Jim Coudal produced the well-known Field Notes brand, inspired by the kinds of memo books used by farmers (and a product of his passion for “goin’ junkin’” and “rescuing stuff”).

Expect some robust storytelling about his career and the creation of his first book, Draplin Design Co.: Pretty Much Everything. From the contracts to the scheming, from the pagination to the design, from the tears to the nightmares, he’ll tell you what it’s like to cram your whole half-wit design career into 256 pages and live to tell the tale. He'll pack in stories from the run-up, release, and surreal fallout, as well as updates to other tricky ventures the DDC has been up to.

After Aaron’s whirlwind mini-tour of Southeast Michigan, he will be embarking on a national book tour in support of the book. Pretty Much Everything is a jam-packed, in-your-face retrospective of his work so far, including drawings that give insight into his inspiration and process. In addition to the work itself, you get stories, commentary, and priceless advice in Aaron’s distinctive voice about what drives him and his work. It’s a must-have book for any designer.

Draplin’s relentless pursuit of creativity is sure to give you a swift kick in the pants to get out there and do great work. Leave work for an early lunch and then head over to AADL to jumpstart your weekend at an event that is not to be missed.

And if that’s not enough, his entire presentation is dipped in his signature color—Pantone Orange 021.

Amanda Szot is a graphic designer at AADL, and will likely have to breathe into a paper bag when introducing Aaron at his talk on Friday. She’s that excited.

Aaron Draplin will be at the AADL Downtown Library, 343 S Fifth Ave, on Friday, October 7 at 12:30 pm. This event (like all library events) is free of charge.

Ann Arbor is a city that has plenty to offer, but sometimes the cultural highlights may be a *little* beyond the budget for those of us who may not have the most regular of paychecks. So for those of you who are looking for an arts experience while still saving $$$, look no further! This piece of blog is here to share the local arts events you can attend FOR FREE! 
 
The University of Michigan’s School of Music, Theater, and Dance is a great source of low-or-no-cost access to displays of incredible talent. The UM-SMTD events calendar, lists concerts, lectures, and master classes taught by visiting instructors or guest faculty. This calendar has a $ symbol on events that have a cost, but thankfully those symbols are few and far between.

Earlier this month, I participated in an open-to-anyone master class led by a guest instructor in the dance program. I arrived and grabbed a seat, which turned out to be right beside the guest speaker, Anita Gonzalez. This was less awkward than it might have been because she was soon on the floor, warming up with the rest of the dancers. Gonzalez called the class to attention as the dancers stretched and flexed and effortlessly made shapes with their bodies. As she led activities, she explained the connection between breath, voice, and movement. Eventually, the dancers created moving historical vignettes of African American slaves working in the fields, with lumber, or on the railroads – singing the songs that kept them from despair and connecting them through their common goal of freedom. It was amazing to watch.

But wait, there’s more! The art of the written word is celebrated almost every day of the week at Literati Bookstore on Washington St! Just a few weeks ago I attended a (free!) reading at Literati of the new fiction bestseller The Nix by author Nathan Hill.

The Nix is Hill's first book that the Literati emcee described as “deceptively simple” but with the excitement of a “choose your own adventure story.” The major selling point for me was the claim that it was “a big book that reads fast.” Once Hill took the podium in that second floor Espresso Bar space, he explained The Nix was 10 years in the making, and once he started reading from the work, I had to agree that it was 10 years well spent. The reading he selected was from a chapter in which a student in the protagonist's logic class manages to include all 16 types of fallacy as they argue for a better grade.

The chapter is hilarious; my cheeks hurt by the end of the night from constantly smiling. Hill’s main character comes across as well-educated and flawed in relatable ways that make you want to keep reading. In this chapter, Hill also features a run-on sentence of epic proportions which required him to fortify himself with a drink water before reading it. It was truly a delight to hear this new author read, and I encourage readers to get their hands on a copy if only to discover why the words “aluminum” and “nuther” are so laughable.

Literati has tons of events, so check their calendar often to stay up to date. It is usually only their "ticketed events” that have an associated cost - most Literati events don’t cost a dime!

Liz Grapentine is a desk clerk at AADL. A graduate from Oakland University with a major in Music Education and a minor in English, Liz enjoys all the arts in every form. Liz is also a true Ann Arbor townie and a proud patron of the library since 1995.

Referred to as The Dollhouse * by the Manhattanites, the Barbizon Hotel for Women is where aspiring models and secretaries who often come from small towns, try to make it on their own in the 1950s.

Darby McLaughlin arrived from Ohio to take up secretarial studies at the Katherine Gibbs School . Compared the glamors Eileen Ford housemates, she was plain, self-conscious, and homesick. Befriended by Esme, a Barbizon maid, she was introduced to an entirely new side of New York City: seedy downtown jazz clubs.

Over half-a-century later, journalist Rose Lewin is evicted from one of the Barbizon condos when her divorced boyfriend decides to reunite with his family. Rose is forced to take refuge with her reclusive downstairs neighbor Darby, one of the original tenants. As Rose's life implodes around her, she is consumed with the story behind the rumors that Darby was involved in the grisly death of Esme. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.

"Darby and Rose, in alternating chapters, weave intricate threads into twists and turns that ultimately bring them together; the result is good old-fashioned suspense," (Publishers Weekly) by debut novelist Fiona Davis.

Sylvia Plath's The Bell Jar was based upon her time working at Mademoiselle and living at the Barbizon (called The Amazon in the novel). This historical landmark, built in 1927 is now upscale condos under the name Barbzon 63.

Readalike: Searching for Grace Kelly by Michael Callahan (another FFF) and Suzanne Rindell's Three-Martini Lunch will captivate readers with a strong sense of time and place as the authors bring a legendary New York building to life and populates it with memorable characters who find themselves in unusual situations.

* = starred review

Monterey Bay *, a debut by Lindsay Hatton beautifully re-imagines the last days of John Steinbeck’s Cannery Row and its memorable characters, real and fictional.

Accompany her entrepreneur father Anders, Margot Fiske arrives in Monterey Bay a confident, self-sufficient (exceedingly tall) 15 year-old, having traveled the world with him, looking after their businesses. An accident in the tide pool brings her into contact with denizens of Cannery Row, where her talent as an artist/illustrator immediately impresses Ed Ricketts, a marine biologist known as Doc, who, against Steinbeck's displeasure, offers her a job to sketch the specimens he collects.

Ricketts, a charismatic, hard-drinking bohemian/scholar, quickly becomes the object of Margot’s fascination and soon her lover. In the meantime, Anders is quietly amassing support for the most ambitious and controversial project to date: the transformation of the Row’s largest cannery into an aquarium, while making himself unpopular with the most powerful family on the peninsula.

Finding herself often alone and at odds with her father, Margot gets to know Steinbeck, Ricketts’s benefactor, who is hiding out from Hollywood; and other locals who would play a crucial role in transforming life in Monterey in the decades to come.

"Hatton, in her first novel, takes up a formidable challenge for herself, setting her story in one of American literature’s most famous locations. She does an excellent job of recreating the Cannery Row that no longer exists, honoring the memory of Steinbeck and Ricketts and all the workers who once toiled there, as seen through the eyes of a precocious teenage heroine." (Publishers Weekly)

Readers will undoubtedly want to revisit Cannery Row and its sequel Sweet Thursday, the basis for the 1982 movie adaptation, starring Nick Nolte and Debra Winger. To find out more about John Steinbeck's legendary voyage with Ed Ricketts that serves as a critical turning point in Hatton's novel, check out the documentary Journey to the Sea of Cortez.

* = starred review

Following in her illustrious parents' footsteps, Irene is a professional spy for a shadowy organization called the The (Invisible) Library * * that collects important works of fiction from all of the different realities. After wrapping up a most difficult case, she finds herself immediately assigned a new mission - to retrieve a particularly dangerous book in an alternative London while shackled with a new trainee, Kai.

When they arrive, they find the city populated with vampires, werewolves, and Fair Folk, and the book they are after, has already been stolen. Soon they realize several parties are prepared to fight to the death for the tome, one of them a handsome detective named Peregrine Vale. It also becomes clear fo Irene that Kai is hiding secrets, secrets that could prove as deadly as the chaos-filled world they find themselves in.

"Bibliophiles will go wild for this engaging debut, as Genevieve Cogman hits all the high notes for enjoyable fantasy. Intriguing characters and fast-paced action are wrapped up in a spellbinding, well-built world." (Library Journal)

"Reminiscent of the works of Diana Wynne Jones and Neil Gaiman, Cogman's novel is a true treat to read." (Publishers Weekly)

I hope you are a fast reader. A much anticipated sequel The Masked City is on its way, and not a minute too soon.

* * = starred reviews

A Hundred Thousand Worlds * by Bob Proehl is a mother-son cross-country road trip through the world of comic-cons,

New York actress Valerie Torrey, who has a successful run playing Bethany Fraser in a syndicated X-Files-ish TV show called Anomaly is taking her 9 year-old son Alex on a road trip to LA where his father Andrew lives.

Along the way, Val agrees to make appearances at comic book conventions. From Pittsburgh to Cleveland, from Chicago to Las Vegas they are increasingly being drawn into the lives and drama of the other regulars - artists, writers, agents, publishers and a strange world of "cosplay" (costume play), mostly young women who dress up as comic book characters.

For Alex, this world is a magical place where fiction becomes reality, but as they get closer to their destination, he begins to realize that the story his mother is telling him about their journey might have a very different ending than he imagined.

Debut novelist "Proehl has done an excellent job of integrating all of the story lines and creating memorable characters to populate them. Though not without its melancholy moments, the story is deeply satisfying and will delight both comics fans and general readers." (Booklist)

* = starred review

The theme of the 2016-2017 UMS Artists in Residence program is "renegade art-making and art-makers" and the artists have just been announced. According to the announcement, the "five artists (including visual, literary, and performing artists) have been selected to use UMS performance experiences as a resource to support the creation of new work or to fuel an artistic journey."

The artists for 2016-2017 are:

Simon Alexander-Adams - a Detroit-based multimedia artist, musician, and designer working within the intersection of art and technology.

Ash Arder - a Detroit-based visual artist who creates installations and sculptural objects using a combination of found and self-made materials.

Nicole Patrick - a musician and percussionist who performs regularly with her band, Rooms, and other indie, improvisation, and performance art groups around southeastern Michigan.

Qiana Towns - a Flint-based poet whose work has appeared in Harvard Review Online, Crab Orchard Review, and Reverie, and is author of the chapbook This is Not the Exit (Aquarius Press, 2015).

Barbara Tozier - a photographer who works in digital, analog, and hybrid — with forays into video and multimedia.

Congratulations to these artists - and look for blog posts and engagement with the artists throughout their term on the UMS site.

An August pick on Indie Next and LibraryReads lists, and a runaway UK debut bestseller, Behind Closed Doors * by B.A. Paris is one of the most terrifying psychological thriller you are likely to come across.

London attorney Jack Angel - movie-star-handsome and successful, sweeps Grace Harrington off her feet when he offers to dance with Millie, Grace's Down-syndrome younger sister under her care. The first sign that things are not what they seem to be is when Millie tumbles down a flight of stairs on their wedding day. On their honeymoon, Jack made clear his psychopathic plans, using Millie as leverage to ensure Grace's cooperation.

"Debut-novelist Paris adroitly toggles between the recent past and the present in building the suspense of Grace’s increasingly unbearable situation, as time becomes critical and her possible solutions narrow. This is one readers won’t be able to put down." (Booklist)

All the Missing Girls * , the first adult title by YA author Megan Miranda, is about the disappearances of two young women a decade apart. It has been 10 years since Nic(olette) Farrell left Cooley Ridge after her best friend, Corinne Prescott, disappeared without a trace. Now a cryptic note from her dementia-ravaged father brings her home. Within days of her arrival, her young neighbor Annaleise Carter disappears, reawakening the decade-old investigation that focused on Nic, her brother Daniel, boyfriend Tyler, and Corinne's boyfriend Jackson.

Told backwards from Day 15 to Day 1 since Annaleise's disappearance, Nic works to unravel the shocking truth about her friends, her family, and ultimately, herself. "Miranda convincingly conjures a haunted setting that serves as a character in its own right, but what really makes this roller-coaster so memorable is her inspired use of reverse chronology, so that each chapter steps further back in time, dramatically shifting the reader’s perspective." (Publishers Weekly)

The Trap by East German debut novelist Melanie Raabe is a fast, twisty read.

Reclusive novelist Linda Conrads hasn't left her home since she discovered her sister's body 11 years earlier. When she sees the face of the murderer on television, the same face that she saw leaving the crime scene, she goes about setting a trap by crafting her next thriller utilizing all the details of her sister's murder. But her careful plan goes horribly awry.

Film rights sold to TriStar Pictures.

* = starred review