How do libraries and the quality of humility go together?
Really well, it turns out.
Jamie Vander Broek unveils this connection in her essay, “A Library Is for You” in Radical Humility, a recent book she co-edited with Rebekah Modrak, a professor in the Stamps School of Art and Design at the University of Michigan.
The Librarian for Art and Design at the University of Michigan Library, Vander Broek outlines how the permission to read whatever you’d like contributes to the humble nature of libraries. In contrast to museums, the people are primary:
Libraries, instead, devote relatively little real estate and resources toward interpreting their collections, instead foregrounding the individual’s experience with the materials. Another person’s ego doesn’t stand in the way of your access to, at our library, a letter handwritten by Galileo and the first cookbook published by an African American. That’s how important you are to us.
Libraries, Vander Broek observes, don’t impose themselves on one’s intellectual adventure or entertainment but rather offer their collections up to people who want to interact with them. There are many ways Vander Broek illustrates this humility, such as noting, “We think of libraries as being about books or even literacy. But they’re really about sharing. They’re about recognizing the value of saving, sharing, and access to society.”
Sharing is caring, many of us have learned from a young age.
April marks the 25th year of National Poetry Month and Crazy Wisdom Poetry Circle will mark the tradition during their monthly reading on April 28 at 7 pm via Zoom (email firstname.lastname@example.org for the Zoom link).
Poets Shutta Crum, Dana Dever, David Jibson, Joseph Kelty, Loraine Lamey, Gregory Mahr, Edward Morin, and Lissa Perrin will read. An open mic will follow and participants may read their own poem or a favorite poem by another poet.
The Crazy Wisdom Poetry Circle has become a home for writers in the greater Ann Arbor area and has been meeting at the Crazy Wisdom Bookstore and Tea Room for about 10 years. The Poetry Circle offers workshops on the second Wednesday of the month and readings on the fourth Wednesday of most months. Currently, several poets, including Jibson, Morin, and Perrin, co-host the group.
Morin is the author of a recent poetry collection, The Bold News of Birdcalls, and gains inspiration from the monthly readings.
Beyond the Birds: Ann Arbor Poet Ed Morin’s "The Bold News of Birdcalls" explores nature, relationships, and work
The Bold News of Birdcalls by Ed Morin is not just about birds. Stories about people, relationships, work, and news occupy his poems. In “Moments Musicaux,” with a dedication to “my sister Audrey,” we read about her birth, marriages, and children. We learn that “Her last words to me were, ‘You’ll look younger if you get your hair cut more often.’ ” Morin sees both the gravity and the humor in his subjects.
Morin’s poems that do focus on nature or birds are not without the poet’s opinion. The poem “Icicles” says, “February is a sallow miser who hoards / what little daylight is left in the world.” Yet the collection is also not without appreciation for the natural world. We see how industrious birds can be, as “Housing for Wrens” offers the lines “along comes the plain-brown-wrappered wren, focused as a meter reader, from yard / to yard appraising birdhouses for nesting.” This poet not only observes the wren but also admits in another poem that:
University of Michigan lecturer Julie Babcock’s recent poetry collection, Rules for Rearrangement, offers a journey to discover what those rules are. The book charts a thorough and far-reaching path through memories and ways to persist when someone has disappeared from one’s life.
The Ann Arbor poet writes, “Everyone is filled with a heavy combination / of blockage and sun.” The obstruction and brightness feel relatable. People have their burdens and their joys.
How might someone go about rearranging both what weighs them down and what buoys them? A stanza in a section called “Arson” asks for the following:
Introduce your new self and explain your need. For instance: I need rules for
rearrangement. For instance: I need to box memories. I need to let my
objects know it’s not them.
For Babcock, it can be a matter of space and objects. That same poem goes on to discuss how “Empty space you uncover will be awkward and shy.” Yet, “Former free space you cover will be angry.” This negotiation illuminates the effort it takes to design spaces, things, and even life differently than what they were before. The poet both rails against and is curious about the things around them and what happens to them.
At the end of the collection when “He returns from the dead so they can discuss Bob Dylan who won the Nobel / prize for literature,” it becomes clear that the rules may be malleable and dependent on how someone approaches them because "'My love,' he says, 'nothing is every one thing.'" Allowing for this multiplicity offers permission for whatever way a person moves forward in the wake of a traumatic event.
I interviewed Babcock about her new book, writing, and novel in the works.
Ann Arbor poet David Jibson on Crazy Wisdom's Poetry Circle, "3rd Wednesday Magazine," and his new book, "Protective Coloration"
It’s well-known that the life of a poet often means being attentive to the world around oneself, seeing parallels between things or living beings and their thoughts, actions, ideas, and values. David Jibson, co-host of the Crazy Wisdom Poetry Circle, uncovers these connections throughout the poems in his latest book, Protective Coloration.
The collection’s title is made clear by the poem of the same name, in which a restaurant scene unfolds "with the poet of a certain age, hidden in a corner booth / at the back of the cafe, as quiet as any snowshoe hare, / as still as a heron among the reeds.” There, we see the poet blending in while also taking in the view. Jibson welcomes the reader to join him in seeing striking insights through straightforward language, like the person in “Amy’s Diner” who, while studying the group of men in baseball caps eating the senior special, gets the invitation to “Pull up a chair.”
As people in another poem speculate while preparing and waiting for the arrival of guests, they are “as ready as we’ll ever be, / realizing, now, how much time has passed / since we last dusted in the corners of our lives.” The poems encourage readers to wonder at such things in their own lives.
Detroit is many things to many people. Ken Meisel’s poetry collection Our Common Souls: New & Selected Poems of Detroit outlines these many views through substantial narrative poems that tell stories about the city. The wide-ranging poems examine specific places in the city, people such as its famous musicians, and historical events, including riots, the World Series, and Devil’s Night.
The collection opens with a poem called “Detroit River, January, 1996” that sets the scene for both the book and its perspectives of the city: “River on this coal-blasted shore, / River whose name now starts with a fist, / ends its knees in St. Lawrence.” The poem concludes with an emphasis on the river’s persistence, “River of sunken beer bottles, churn on,” just as the place will carry on through time and everything that has happened there.
The poet peers at the various scenes and underbelly of the city, not overlooking the rough edges, as the poem, “The Gift of the ‘Gratia Creata,’” with a note setting its location in “Hamtramck, MI” declares:
Streets of Your Town: Jeff Vande Zande’s new short story collection focuses on "The Neighborhood Division"
In the neighborhoods, streets, homes, rooms, and basements of author Jeff Vande Zande’s new short story collection, The Neighborhood Division, people live out their lives, their relationships, and their struggles.
Yet, something is always a little unsettled. A car that follows a character on his run, with threats emerging from the driver. The paranoia of being mugged haunts a female character. A man lives shackled in the basement, unbeknownst to the residents. A neighborhood, where no outsiders are supposed to come in, restricts its residents under the guise of making lives better for them.
These stories peer into the disarray of lives behind the four walls that they call home and also question the character’s choices. In the story called “That Which We Are,” a widower reflects on his marriage. His wife used to save money during the year so that she could give it to people in need during the holidays. Yet, he coveted the money for household expenses and splurges, like a television. He reconsiders:
From the Fifth Estate to Ann Arbor: Harvey Ovshinsky's new memoir recalls his agitating and publishing days in Detroit
Ann Arbor’s Harvey Ovshinsky faced a problem when he settled in to write his memoir, Scratching the Surface: Adventures in Storytelling.
“I sat down with Kathryn [Wildfong] at Wayne State University Press, and she said, ‘Oh, my God, Harvey, there are three or four different books in here. You’ve got to pick one,’” Ovshinsky said. “I have all these dots and I really felt the need to connect them, and I knew I could. … What they all had in common was my need to scratch the surface. And that’s when [the book] came together.”
The book's focus was originally a puzzle to solve because Ovshinsky is a lifelong restless spirit.
With drama and humor, U-M professor Peter Ho Davies’ new novel follows a family through marriage, pregnancy, and parenting
Family life has come into greater focus this last year during the COVID-19 pandemic. School online. Work from home. Everyone in your immediate family in the same space.
Well beyond our one-year plus some of staying at home during this health crisis, Peter Ho Davies' new novel, A Lie Someone Told You About Yourself, sounds the depths of marriage, parenthood, and family life over many years. Davies, a faculty member at the University of Michigan, does not shy away from the pains and discomforts brought about by such arrangements, but his book also does not bypass the humor and little joys. Told in third person with the characters identified only by their roles of father, mother, and boy, readers may feel like they are on the outside looking in at the characters’ lives. Yet it’s an inside view, like a fly on the wall rather than peering through a window. The narrator homes in on the father’s perspective especially.
Early on, challenges with a first pregnancy force a crushing decision, one that the characters process and must live with for the rest of the book. The fallout and emotions thread throughout the parents’ lives and their reflections on raising their second child. While we learn that the mother is coping through therapy, the father takes another approach of volunteering at an abortion clinic. As the father considers his earlier experience, the narrator describes:
Ann Arbor native David Blixt discovered a cache of long lost novels by journalist-adventurer Nellie Bly
In December 2019, while researching a novel series based on the life of journalist Nellie Bly, Ann Arbor native David Blixt—a Greenhills and EMU grad who’s now a Chicago-based theater artist and writer—made an astonishing discovery.
“At that point, my office was right next to the kitchen, and Jan [Blixt, David’s wife, and the producing artistic director of the Michigan Shakespeare Festival] was in the kitchen late in the afternoon that day,” said Blixt. “I was going, ‘Honey, this can’t be real. This can’t possibly be real. … Surely everybody knows about this, right?’”
Wrong. Blixt, following what seemed an unlikely-but-possible hunch, had stumbled upon 12 long-lost serialized novels that Bly wrote after her famous trip around the world concluded in 1890.
Born Elizabeth Cochrane in 1864 in Pittsburgh, Bly got her pseudonym from her first newspaper editor, who named her after a popular 1850 song by Stephen Foster. Scholars and biographers have long known that Bly wrote fiction for publisher Norman Munro’s New York Family Story Paper—she’d signed a lucrative, three year $40,000 contract—but few to no copies of that publication have survived, so Bly’s fiction has largely been lost to time for well over a century.